A Quote by Joni Mitchell
I sang in art school, just to get money to smoke.
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We need to make sure that there's art in the school. Why? Why should art be in the school? Because if art isn't in a school, then a guy like Steve Jobs doesn't get a chance to really express himself because in order for art to meet technology, you need art.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I went to art school for about a year. I was born and raised in the Willamette Valley in Oregon into a middle-class family who didn't have the funds to say, "Here, kid. Here's your money for school." So I worked real hard during the summer and saved money and was able to go to school for a year and borrowed a little money which I paid back after that first year.
I always knew I would sing. I just didn't know if I would be successful or not. But I sang at school, I sang at parties, I sang at church. Everyone always asked me to sing. I'd be playing football with my friends, and my parents would ask me to sing for their guests. I was never very happy about that because I wanted to play football.
I always knew I would sing. I just didn't know if I would be successful or not. But I sang at school, I sang at parties, I sang at church. Everyone always asked me to sing. I'd be playing football with my friends and my parents would ask me to sing for their guests. I was never very happy about that because I wanted to play football.
A high school student shouldn't smoke cigarettes. You can't comfort someone with money either. And fooling around with someone's feelings...Trying out someone when you're not even interested. That's something you deserve to get hit for.
I kind of just lucked into and fell into the other profession. It was really just an outgrowth of the fact that when I was in art school, I had no money whatsoever.
Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.
If you work at rap and look at it as an art, the money will come. But if you try to get the money, it'll just always be shallow.
Two, let's all stop smoking blunts; let's smoke out of papers. Ladies, you all should just love me. Let's all have a beautiful year, let's get this money.
I'm not a malicious person. When you get past the tattoos and leather, I give people a fair shake. There are periods when I've sowed some wild oats, no doubt about it. And I can party with some of the heavyweights. There are some stories about me that, yeah, where there's smoke there's fire. But sometimes the smoke is just smoke.
I got alright GCSEs, but I was lost. I didn't know what to do, whether to continue with education, go to uni, go to art school - then again, I was like, 'Maybe I should just go and get a job, start early and make money.'
I started painting at 17; I took a class at Brentwood Art Center. I thought about art school - but I'm just so not a school person.
While I was trying to save money to go to the National Institute of Dramatic Art in Australia I ended up getting all of this experience which meant that by the time I had enough money in the bank to go to school I didn't really need to go to school anymore.
I came to the conclusion that most people in America would really like to be able to get a job where they think they're doing something noble and nice and good and it isn't just for the money. But the reason they hate what they call the cultural elite is that they see it as a class that's grabbed all the jobs where you can get paid to do something that isn't just for the money - if it's art, if it's charity, if it's intellectual, if it's political, whatever it might be.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
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