A Quote by Joni Mitchell

Ira Gershwin, shame on him. I mean, some of the writing. — © Joni Mitchell
Ira Gershwin, shame on him. I mean, some of the writing.
Ira [Gershwin] was the shyest, most diffident boy we had ever known. In a class of lower east side rapscallions, his soft-spoken gentleness and low-keyed personality made him a lovable incongruity. He spoke in murmurs, hiding behind a pair of steel-rimmed glasses..Ira had a kid brother who wore high stiff collars, shirts with cuffs and went out with girls.
I've had a couple of times where things were so extraordinary wonderful that it changed my world. One of them was when I met Ira Gershwin and started working with him. That was a game-changer for me. It changed the entire course and direction of my life.
I wanted to grow up to be George and Ira Gershwin from the age of about six.
Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
We mean business, George Bush, ... and we're going to go to Congress and we're going to ask them, 'How many more of other people's children are you willing to sacrifice for the lies' And we're going to say, Shame on you. Shame on you for giving him the authority to invade Iraq.
And what shall he suffer who slays him who of all men, as they say, is his own best friend? I mean the suicide, who deprives himself by violence of his appointed share of life. Not because the law of the state requires him. Nor yet under the compulsion of some painful and inevitable misfortune which has come upon him. Nor because he has had to suffer from irremediable and intolerable shame, but who from sloth or want of manliness imposes upon himself an unjust penalty.
False shame accompanies a man that is poor, shame that either harms a man greatly or profits him; shame is with poverty, but confidence with wealth.
Freedom can be gained only at the point of an IRA rifle, and I apologize to no one for saying that we support the freedom fighters of the IRA.
When, however, you have an enemy, then do not requite him good for evil: for that would shame him. Instead, prove that he did some good for you. And rather be angry than put to shame! And when you are cursed, I do not like it that you want to bless. Rather curse a little also! And if you are done a great injustice, then quickly add five small ones. Hideous to behold is he who is obsessed with an injustice.
I never talk about shooting anybody, but I do acknowledge I was a member of the IRA, and as a member of the IRA, I obviously engaged in fighting back against the British army.
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
If you have an enemy, do not requite him evil with good, for that would put him to shame. Rather prove that he did you some good.
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