A Quote by Joni Mitchell
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
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I was reading an article about Kings of Leon's bass player, who said that he was directly influenced by Joy Division and by me. I was like, 'Woah!' It surprised me. It's a great compliment.
I have lots of people tell me I'm beautiful and ask if I'm a model, but the biggest compliment I got was a fan came up to me and said, 'You're the best female technical wrestler.' That's the one compliment that sticks out.
Federer said something interesting once. He said that he was watching Rod Laver, and me, and he said he was trying to copy us and to be like us. And that’s a great compliment for us.
You know,” Cole said. “My mom once told me a boy would know he’d become a man when he stopped putting himself first. She said a girl would come along and I wouldn’t be able to get her out of my mind. She said this girl would frustrate me, confuse me, and challenge me, but she would also make me do whatever was necessary to be a better man–the man she needed. With you, I want to be better. I want to be what you need. Tell me what you need.
I'm fine," I told him tersely. "Of course you are. You're one of the strongest people I know." It took me a second to process that, because he'd said it so casually. Like he was talking about the weather or what time it was. Only Pritkin didn't say things like that. His idea of a compliment was a nod and to tell me to do whatever it was I'd just done over again. Like that was usually possible. But that had sounded suspiciously like a compliment to me.
My father, Fukujuro, drove a cab and my mother, Itsuko, was a homemaker. My parents often took me to see Impressionist exhibits. At home, I would paint pictures in a similar style.
Maybe not as an idol, but I have influenced some people, including my son Joshua. So that feels good. Wherever I play musicians come to meet me, that is a great compliment to me. I am honored.
Once I was on a plane and a woman said to me, 'Now, what's the matter with my tomatoes?' And I said, 'Well, it's a bit difficult to see from here.' She took offence and said, 'I was only trying to be friendly.'
Off the top of my head, I can't really think of anyone who really took me under their wing. You get advice from everyone. Kate Moss once said to me, "Don't worry about the past, just keep going." That has always sort of stuck with me.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
Great classic music that I've been turned on to has not only inspired and influenced me, but it has had an effect on my songwriting.
Roman Polanski actually said as much to me once. He had his head in his hands, and I said, "Roman, I've got to tell you, as an actor, seeing the director with his head in his hands... Look, I really want to do what you want me to do." And he went away and he came back, having obviously thought about what I said. And he said, "When my head is in my hands, I'm closing my eyes and trying to remember what I saw in my head, before any of the stuff."
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
Joe Schenck, a top 20th Century-Fox executive, once said to me that he really believed I had a future, and that was because I was the only girl who could survive so many bad pictures.
Someone very important once told me, 'You can make almost everything look great.' That's the best compliment I have received till date.
A great artist can look at an old woman, portray her exactly as she is ... and force the viewer to see the pretty girl she used to be ... more than that, he can make anyone with the sensitivity of an armadillo see that this lovely young girl is still alive
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