A Quote by Joni Mitchell

I've got 50 different tunings in the guitar. — © Joni Mitchell
I've got 50 different tunings in the guitar.
When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
I got into alternative rock in the early 80s, bands like Husker Du and The Replacements. Bob Mould's playing was a huge influence. It was very heavy with a lot of open tunings, which was great because I played in trios, so I used open tunings to get a fuller sound.
When you're playing guitar, it's the tiny little nuances that make the difference. For me, obviously, tunings is a huge one.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
I enjoy having some boundaries to work within. That's why I generally don't like alternate tunings and stuff like that. I like the boundaries of regular tunings.
I've worked with more than 50 directors and I've paid attention since day one. That's pretty much been my education, apart from studying art history and shooting with my own cameras. I've seen 50 different sets of mistakes and 50 different ways of achieving.
I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.
I've worked with more than 50 directors ,and I've paid attention since day one. That's pretty much been my education, apart from studying art history and shooting with my own cameras. I've seen 50 different sets of mistakes and 50 different ways of achieving. You just leave the bad part out.
I still play that guitar. It's a Martin D-18 with a clear pick guard. I've played that guitar on and off my TV shows for nearly 50 years.
You could have 50 different states having 50 different regulations... until they were all litigated out.
When I started writing music on the guitar, it started off very folky because of my limited ability to play. It was slow, soft melodies. But then, as I got better on the guitar, I started exploring different sounds.
I'm not into that Keith Richard trip of having all those guitars in different tunings. I never liked the Rolling Stones much anyway.
In high school, I got into folk music, and I taught myself guitar. And when The Beatles came out, I got an electric guitar.
I got a toy guitar at a fundraiser and was trying to write songs with it that were ridiculous. After a week, my parents bought me a real acoustic guitar, and I started taking guitar lessons.
I started playing guitar when I was 12, and I started getting into more metal, like Maiden and Metallica... Of course, as I kind of got better and better in the guitar, I was listening to more guitar players, so then I got into, I guess, more of the prog side.
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