A Quote by Joni Mitchell

I'm a very analytical person, a somewhat introspective person; that's the nature of the work I do. — © Joni Mitchell
I'm a very analytical person, a somewhat introspective person; that's the nature of the work I do.
As a person I'm a little more doubtful, introspective and analytical.
As a person... I'm a little more doubtful, introspective and analytical.
When you strip the bark off of Donald Trump, I think he's a very practical person. I think he's a very smart person. He's got an analytical mind. I think he's tapped into something. His son said he's the "blue collar billionaire."
I'm not a very analytical person.
I want to say that what is cool about writing self-aware first person narrative is that the awareness is not necessarily the same awareness of the reader. I have a story coming out in the Paris Review and it's about a hipster. He think's he's self-aware, he's very introspective and analytical, but when you're reading it you can totally see through his self-analysis because you have a higher awareness than he does. I like playing with that too.
You could conceive spirituality as the study of the immeasurable, of the qualitative. But that's very different from the way we typically use the word. A spiritual person, in the popular conception, is somebody who's kind of aloof from the world, introspective, meditating, communing with non-material beings. That's the spiritual realm, and we elevate it above the material realm. What's more worthy, what's more admirable? Who's the one who has done this hard work on the self, and has done a lot of "practice"? That's the spiritual person.
I am to a fault an introspective person. But I am not a reflective person - except for a big mistake, and then I really think about it.
The person who did most to give to analysis the generality and symmetry which are now its pride, was also the person who made mechanics analytical; I mean Euler.
A person is bound to work in obedience to and in conformity to that person's own nature.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
No doubt very few people understand the purely subjective nature of the phenomenon that we call love, or how it creates, so to speak, a supplementary person, distinct from the person whom the world knows by the same name, a person most of whose constituent elements are derived from ourselves.
We're into an age of excessive individuals, all right. We're into the age were independence, autonomy, convenience, sometimes selfishness. The new trinity of me, myself and I, seems to dominate. We know that's contrary to the very nature of the human person. The very nature of the human person needs God and needs other people.
I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.
I do not invent characters. There they are. That's who they are. That's their nature. They talk and they behave the way they want to behave. I don't have a character behaving one way, then a point comes in the play where the person has to either stay or leave. If I had it plotted that the person leaves, then the person leaves. If that's what the person wants to do. I let the person do what the person wants or has to do at the time of the event.
I think goodness is about how person behaves to person, and also person to world, to nature.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
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