A Quote by Jonny Greenwood

As soon as you impose Western chords on an Indian scale, something great collapses. — © Jonny Greenwood
As soon as you impose Western chords on an Indian scale, something great collapses.
Indian cinema gives you everything that western cinema doesn't. It's maseladar and spicy. If you like Indian food, I think you'll love Indian movies.
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
Rock music is quite big in India - but it mostly just replaces all the intricacies of Indian rhythms and Indian melody with lumpen rock drumming and power chords.
Even I, when I was a student in London, often wore Western clothes, and yet I'm the most Indian Indian I know.
The great thing about both Indian and Western pop music is that they're fast and have a beat.
When the family collapses, it is the children that are usually damaged. When it happens on a massive scale, the community itself is crippled.
I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.
The ability to scale up is hard. So the best model for us is concentrated India, diversified financial services, and through this, we can get significant scale on an Indian platform.
Music is monophonic in the Eastern world, especially if we're talking about Indian music, Persian music. What we have in classical and Western world is harmony. So I think it's a great idea to be able to bring the best of two together and create something new.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
My singing is not Hindustani classical or too western. It is a balance of Indian and western music. That's the kind of music I grew up on.
On my parents scale of values, the more Western something was, the more cultured it was considered.
On my parents' scale of values, the more Western something was, the more cultured it was considered.
I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Casually, unconsciously, but with deadly effectiveness, western man all round the globe destroyed the traditional gods and the ancient societies with his commerce and his science. ... Does it mean nothing to him if great areas of the world, where western influence has been predominant, emerge from this tutelage unable to return to the old life, yet unfitted for the new? It is hard to believe that the future could ever belong to men demonstrating irresponsibility on so vast a scale.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
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