A Quote by Jonny Greenwood

I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
Often, when I want to read something that is satisfying to me as theology, what I actually read is string theory, or something like that - popularizations, inevitably, of scientific cosmologies - because their description of the scale of things and the intrinsic, astonishing character of reality coincides very beautifully with the most ambitious theology. It is thinking at that scale, and it is thinking that is invested with meaning in a humanly evocative form. That's theology.
'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
I think the secret of the world lies in the C major scale. The universe opens its doors when a major scale is played. There's stuff going on in a major scale that is a direct connection to divine, universal hugeness.
Scale is of prime importance and I think that oversized scale is better than undersized scale.
If you paint a building shocking pink, that has no scale, it is just a huge mistake, but it's not in the scale of the city to have things like that. You know. So, not only because it's not appropriate, not only because it's offensive to the environment, I mean but among them also because that quantity of that color in the urban scale, is out of scale.
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
I like major theology. I like Karl Barth, and I like John Calvin, and I like Martin Luther. The scale of thinking and the power of integration that they're capable of from thinking in that scale is something that's really unique to theology.
Great businesses can be built on scale. I think Amazon has built a phenomenal commerce business largely on scale. Their network effect isn't obvious to me, but boy, have they used scale effectively.
Reading to kids is to ordinary reading what jazz is to a string quartet.
Right now, I'm thinking in terms of just having a good band, man. Having a good act for the stage. Being a good performer, you know? Connected to that is future recordings, and future tunes, that kind of stuff.
One does not play Bach without having done scales. But neither does one play a scale merely for the sake of the scale.
When I practise scales I will play four notes on one string. If I'm playing a C major scale, starting on F, I'll play the F, G, A, and B on one string and the C will be on the A string, etc, etc. Because I found not only was it good for my hands but it was really good for interconnecting things.
It's so easy to practice out of context. For example, if you're learning a scale, you take that scale and you sit in your room and you go up and down the fretboard, over and over. You've gotta do that, because you need to get that scale working. But you have to keep in mind that that's not the finished product. That's the starting point.
Scale is very, very important, like the scale of a person is very important. It's to do with the size of our space, the fact they are big sculptures, they are still human scale.
With things that I'm going through, whether they be on a small scale or a large scale, I'm thinking, 'Who else is going through this? And how can I address it and bring it to light to help someone else?'
This site uses cookies to ensure you get the best experience. More info...
Got it!