A Quote by Jonny Lang
Apparently, there's this whole set of disgruntled people but obviously it's not my intention to offend anyone by changing the style of music that I've done.
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Never offend people with style when you can offend them with substance.
The world is changing, and the way we consume music is obviously changing. I was one of the biggest CD advocates you will find, but when Apple music and digital options came out, like for everyone else, it was more conducive to my lifestyle.
I don't know that we're beating anyone at their own game. I just think that we tried to include a lot of Nashville entities from the very beginning, just to see if that would work. We were trying to take my music to a different level and some people wanted me to change my style and my image, obviously that's not going to happen so we simply thanked those people for their time.
My intention is not to replace one set of general rules by another such set: my intention is, rather, to convince the reader that all methodologies, even the most obvious ones, have their limits.
The big challenge is finding something new without changing completely what you've already done - going deeper into what you've already done and discovering new things while carrying out the same intention.
A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.
I think that ultimately, when you create music that is proper music, then it becomes fundamental and anyone can relate to it or connect to it. When done properly, the language doesn't really have anything to do with it. It's actually the music as a whole. When it is speaking truth, everyone can relate to that on a fundamental level.
When every word is parsed for ill intention, regardless of who is speaking or why, we become so afraid we'll offend that we stop trying to communicate with people we don't understand.
Anyone can lie. One need only have the requisite intention - in other words, to say something with the intention to deceive. Faking, by contrast, is an achievement. To fake things you have to take people in, yourself included.
Obviously, I respect the expression of different artists. I do not judge or criticize the style of anyone.
I've reinvented myself every year since 1998, and my style's still changing. It's grittier now. I always gotta try something new. I've grown up. Then I was rapping; now I do music, I write albums. But my distinctive voice and style, people still can't catch it. They're still asking me, "What were you saying on that song?".
I had no intention of returning into the British political debate, really at all, even though I've obviously got very strong views on it, until Brexit happened, because I think Brexit is a destiny-changing decision for my country.
The intention that naturally exists: 'My intention is to get done with this commute.' So I've just doomed myself to an hour of discomfort, because my intention will not be met until I get out of the car.
Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.
I don't know if it's changing already with 'Joanne,' but my intention is to bring people together that don't know each other and that would maybe feel awkward, but somehow be brought together by the music. That's what I wanted to do. Because that is pure and authentic to my family history and what I stand for.
I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.
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