A Quote by Jonny Lee Miller

Vampires are immortal, you can do whatever you want, and get away with it. And there's the seduction part of course, sex is a big part of the vampire thing. — © Jonny Lee Miller
Vampires are immortal, you can do whatever you want, and get away with it. And there's the seduction part of course, sex is a big part of the vampire thing.
The idea of celibate vampires is ridiculous. To me, vampires are sex. I don't get a vampire story about abstinence. I don't care about high school students. I find them irritating and uninformed.
The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
You know, what's popular? Okay, vampires are very popular. Let me make my vampire movie. I'm not saying you can't make a vampire movie. But if you're going to do one do something crazy. I mean don't just get a bunch of, like I said, models and make them into vampires so you'll get an audience. You know maybe get some ugly vampires for a change.
Vampires have become tragic or romantic figures. Vampire are largely seduction tales. They're no longer the scary creature in the dark.
I always thought of vampires, especially the young-adult ones, as a metaphor for sex - sucking blood, forbidden, taboo. I think they just ooze sex. Vampires are all the big themes in life in one attractive, bloodsucking package.
I have interest in competing in every big event like Money in the Bank or Elimination Chamber or SummerSlam or whatever it is. I want to be part of those shows, I want to be part of that product; that's where I want to be.
My agent is a vampire, my lawyer is a vampire, they're all vampires, but they don't suck your blood, they take your money! Vampires are everywhere. It just depends what they're running after.
With these kinds of figures you can do whatever you want as an actor because there are no guidelines, there are no real vampires. Except in Los Angeles, where everybody's a vampire, you know?
There's a big part of me that's atheist. There's a big part of me that's agnostic. And there's a big part of me that tends towards the mystic. The thing that I find is most important in all of that is to retain my sense of wonder and the idea that I don't actually know what's going to happen.
Writing is seduction. Good talk is part of seduction. If not so, why do so many couples who start the evening at dinner wind up in bed?
The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story.... Writing is seduction. Good talk is part of seduction.
I'd prefer to include sex scenes alongside the adventure scenes and everyday-life scenes, as if they were all part of the same thing. Which of course they are. Sex is not discrete from the rest of our existence.
I think when you're photographing - when anybody's photographing another person in a private situation, it's a kind of a seduction but it's not always a sexual seduction... I feel like when Jack [Welpott] was doing it, it was a sexual seduction and when I was doing it, it was more of a psychological seduction in order to get them to cooperate with me... Not because I wanted them to spread their legs or... be, you know, Wanna sleep with me? , or whatever.
I certainly had this fascination with monsters and vampires as did Tim and whatever this darkness, this mystery, this intrigue. And then, as you get older, you recognize the erotic nature of the vampire and the idea of the undead.
The reason I introduced sex - or erotic imagery - to Purple is not only because I don't want sex to be hidden but because also I consider it as an extension of fashion, the way the body expresses seduction and beauty. It's very artificial to put sex in a ghetto. Plus, sex sells.
I don't want to be 'the girl with cancer' ... I just didn't want that to be my only thing. But it is part of me. And it's a big part of me.
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