A Quote by Joo Won
I believe almost every men have some kind of fantasy for action scenes. I'm one of them, and I just can't be so sluggish.
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I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.
That's the challenging thing with TV; it's not the action scenes per se, and it's not the location scenes and the heavy dialog scenes, but the fact that there is just no let-up; there is no break.
To place any dependence upon militia is assuredly resting upon a broken staff. Men just dragged from the tender scenes of domestic life, unaccustomed to the din of arms, totally unacquainted with every kind of military skill ... makes them timid and ready to fly from their own shadows.
Especially today, Mollywood's action scenes comprise of many 'hero touches and the villain flies' scenes. I never promoted that, and only believed in realistic stunts, with just the right amount of cinematic feel seasoned on them.
They're called 'action scenes' because they do the acting for you. You don't have to act in action scenes. The action does it all for you. It's great.
I bought almost every single thing that I furnished my house with at the Salvation Army in Hawaii. All second hand. Some of them are kind of retro, and some of them you'd never know.
Acting is doing, because everything you say or do is some kind of an action, some kind of a verb. You're always connected to the other person through some kind of action.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
Every belief that you hold manifests itself in some manner by either causing you to take some form of action or by preventing you from taking action. If you don't believe something is possible, you won't even attempt it.
My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
I write every day and I just love doing it. It's just... it's just a wonderful thing. Some of my stories work, some of them don't work. Some of them are wild and I love them, but they certainly don't fit into any kind of a normal system that I know about.
If you want to believe in the fantasy on screen, then you have to believe in the characters and use them as a stepping-stone to lead you into this fantasy world.
My favorite thing to do is action-driven, emotionally-charged scenes. If it's not just two people talking in a room, but it's on the move and things are happening and it's chaotic, and emotion comes from the characters and from the action, and the fall-out ultimately changes the character relationships, that exactly the kind of stuff I like writing.
They’re called action scenes because they do the acting for you. You don’t have to act in action scenes.
You need to work yourself up into some kind of a state every morning and believe that you are doing something terribly important upon which the future of literature, if not the world, depends. Buddhism tells you that this is just a foolish fantasy. So, I try not to think too much about Buddhism early in the morning. From noon on, I think about it.
As you begin to take action toward the fulfillment of your goals and dreams, you must realize that not every action will be perfect. Not every action will produce the desired result. Not every action will work. Making mistakes, getting it almost right, and experimenting to see what happens are all part of the process of eventually getting it right.
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