A Quote by Jools Holland

It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead. — © Jools Holland
It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.
I think about John Lennon all the time. What would John Lennon do? What would John Lennon say if he got this part? How would he act? I don't know, but he's my moral barometer.
I'm not like John Lennon, who thought he was the great Almighty. I just think I'm John Lennon.
John Lennon was brilliant, so gifted, so giving. He was the Bach, Beethoven, the Rachmaninoff of our time.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
If there's a message to pass to people, I'd say that it's normal to be different from others, it's good to differ from one another, and we'd better look at ourselves first before we start criticising someone who looks, acts, speaks different or has a different skin colour. I'd like to continue, even at a minimal level, what John Lennon had started. If I could do as much as a bit of what he did, if I could contribute to the elimination of hatred among us, that would be a great deal.
Black music has always known, and not been afraid to acknowledge just how high the stakes of Black thought are. To summarize the final soliloquy of Clay, the protagonist in LeRoi Jones’ (aka Amiri Baraka’s) play Dutchman. You’d better be glad Charlie Parker could play him some horn and Bessie Smith could sing, because if they didn’t make music they might murder you. One would be hard pressed to find another group of people on this planet whose music is a surrogate for murder. One would be hard pressed to another group of people on this planet whose life is a proxy for death.
It’s mostly just you have to convince yourself that there’s nothing else in the room but John Lennon and suddenly things start John Lennon-ing!
After the shooting of John Lennon and the early death of so many great stars and the utter naked venal mercantile marketing of pop music and rock music, I don't think anyone really believes that music is anything more than another commodity.
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!"
John Lennon made wonderful music, which people listen to as music. Nobody around the world is living their life according to the precepts of John Lennon.
The New Testament is peppered with "one another" reminders. While Scripture says to love another, encourage one another, offer hospitality to one another, be kind to one another, many people are content tolerating one another, if not ignoring one another.
There are still many great surviving talents: Stevie Winwood. Another great talent is Stevie Wonder. Another one is Eric Clapton. Another one is Phil Collins. Eminem, Kanye West I like all those people.
As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead.
We were now back at Smith Landing, and fired with a desire to make another Buffalo expedition on which we should have ampler time and cover more than a mere corner of the range.
I was born and raised in the Bronx, and growing up here, you would go down the block, and on one corner you would hear bachata, on another corner some salsa, and of course there was hip-hop and R&B all over the place. So for me, it is very organic to have these combinations.
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