A Quote by Jordan Burroughs

I've become close with Masoud Esmaeilpour and consider him a friend. We send each other messages from time to time on Instagram, checking in to see how the other is doing. Whenever I see him, he's always a gentleman, giving me tips about my next opponent. There is a tremendous amount of respect in our friendship.
I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is: each the other's opposite and complement.
Funny how people don't really see each other. Men and women. They invent each other in their minds and then they see what they invent.They don't really see each other. Now she was in love with him and she didn't even know his real name, didn't know anything real about him.
So we forgive each other?" The crooked smile climbs up one more time. "Again?" And I look right into his eyes, right into him as far as I can see, because I want him to hear me, I want him to hear me with everything I mean and feel and say. "Always," I say to him. "Every time.
Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned.
I once heard a sober alcoholic say that drinking never made him happy, but it made him feel like he was going to be happy in about fifteen minutes. That was exactly it, and I couldn't understand why the happiness never came, couldn't see the flaw in my thinking, couldn't see that alcohol kept me trapped in a world of illusion, procrastination, paralysis. I lived always in the future, never in the present. Next time, next time! Next time I drank it would be different, next time it would make me feel good again.
Samuel Eto'o I know well. We see each other often; we send each other messages, and we call each other. It's good.
It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is.
We really have a close friendship with Christian Petzold, which means we can be more frank and open towards each other, always with total respect. But, we push each other a bit further and further always, and we're always still curious about each other. And when he talks about a story he's thinking of doing, then the whole process is so special because I'm involved in a very early stage and I have the feeling I can, and not only, influence anything about my character, but about the whole story that my character's in.
The music certainly plays a major role. You can be free enough to comfort each other, to touch each other, to embrace each other, to engage each other, to not be afraid of each other. The music certainly has that very strong element. Go back to folk songs, gospel, jazz, and spirituals. See, all of that came out of tremendous pain and hurt, rejection, loss, alienation, and abandonment. What I'm doing is I'm expressing my pain and hope at the same time.
It's all about time, dimwit time, inferior time, people checking watches and other devices, other reminders. This is time draining out of our lives. Cities were built to measure time, to remove time from nature. There's an endless counting down, he said. When you strip away surfaces, when you see into it, what's left is terror. This is the thing that literature was meant to cure. The epic poem, the bedtime story.
Pharoahe Monch is a long time supporter of my music and I'm a long time supporter of his music so when we met each other it was almost like a natural occurrence.I met him before a few years earlier and we were just politicking with each other and we had a conversation about possibly doing something but our schedules have always been in conflict.
God, how we get our fingers in each other's clay. That's friendship, each playing the potter to see what shapes we can make of each other.
We can not understand each other, if our sympathies are always safely tucked away; we can not understand each other, if our approaches are always academic or conventional; we can not understand each other, if we crawl back into our shells every time we see a worm across our path.
If I love the other person, I feel one with him or her, but with him as he is, not as I need him to be as an object for my use. Respect thus implies the absence of exploitation: it allows the other to be, to change and to develop 'in his own ways.' This requires a commitment to know the other as a separate being, and not merely as a reflection of my own ego. According to Velleman this loving willingness and ability to see the other as they really are is foregrounded in our willingness to risk self-exposure.
When I'd get tired and want to stop, I'd wonder what my next opponent was doing. I'd wonder if he was still working out. I'd tried to visualize him. When I could see him working, I'd start pushing myself. When I could see him in the shower, I'd push myself harder.
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