A Quote by Jordan Clarkson

I know sometimes the shots look a little crazy when I'm taking them early in the shot clock and stuff like that. — © Jordan Clarkson
I know sometimes the shots look a little crazy when I'm taking them early in the shot clock and stuff like that.
I see these college kids taking these crazy shots, and it's like, taking that shot is going to leave you without a job. You're not Steph Curry.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
A hunter archer can also be out to shock by taking crazy shots. What makes his shots "crazy" is set by excessive risk, judged by hunting-archery standards, which would tend to draw agreement from knowledgeable observers.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.
Sometimes the shots you play in T20s don't look good and you feel that you got out on a bad looking shot.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
Sometimes you have crazy ideas that sound crazy to everybody, but I'm sure everybody has had a crazy idea before. When you pull it off and you don't look crazy anymore, you look like a genius.
'CSI' was a little cutting-edge at the time because it made TV look like movies. It was shot in that Jerry Bruckheimer style with dolly shots, putting the camera on rails so stylistically, it looked aesthetically more like a film.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.
Usually we have pick-up shots to film after all the main work is done; sometimes we even do them after our wrap party. Just like when you're packing up and moving, it's the little things that end up taking the most time, and there is no romance in the clean up.
I like to eat crazy stuff at three o'clock in the morning.
Sometimes I'm in the mood to wear crazy stuff, like a shirtless look with a Saint Laurent suit.
On the day of the game you get there quite early, about 10 o'clock for a 3 o'clock kick-off, because you do a little bit of filming early on. You need to meet the crew and they need to have time to get a cup of tea and all those things the crew like to do before they go out filming.
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