A Quote by Jordan Clarkson
Somebody got a tattoo of me. Kind of threw me off a little bit, but the work was amazing... It's definitely good to feel that love and support.
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I definitely carry a little bit of a burden with me, being a gay athlete going to the Olympics. I think that there's pressure on me... It presents an amazing opportunity, and I think that it kind of gives us a chance to shed people's misconceptions and just kind of, like, break down barriers.
I feel like I've got the skills to be at the top, I feel like I've got the mind-state, so basically what I'm saying is there's people all around me, there's artists all around me that are in my zone, but I still feel alone. I feel like I can't relate to them as much as I can related to maybe somebody that was a little bit higher up.
I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
When I was early in my career, I really followed Twitter, seeing what people were saying about me. I definitely saw them talking about Mr. Mankato and all that. It was fun for me to have a little bit of extra support from outside people. I definitely helped me build confidence, that's for sure.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
I can't give my secrets away. But I've definitely been putting in a lot of work, and you can kind of see that it pays off a little bit.
I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.
In Morocco, a Muslim country, I got to hear the call to prayer five times a day. At first it felt kind of scary, kind of dangerous, because of the propaganda towards anything Muslim in the U.S. subconsciously coming out in me. By the end of the trip, it was so beautiful, and then not hearing it when I got back to L.A. really threw me off.
And for so long, I had thought if I was going to write a song, or get "into" something, I had to at least smoke a joint or something. And that didn't work anymore. Once I was fairly well cleaned out, even a little bit of a drug getting into my work threw me off kilter.
I just like to work with other people, and I like things that are kind of a little bit bigger than that. I don't know. I just feel like a solo record just kind of gives me the willies a little bit.
I value so many people who have to work full time, definitely single mothers. Their work is the hardest work. I applaud it so much. I absolutely love being a mother. I love his milestones. I love his smile. I love that he's talking and making sentences and telling me he loves me. It's amazing.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
I always have to pretend I'm somebody else to give the best performance. It kind of feels like I'm acting; it's definitely an exaggerated version of me. I'm a very normal, down-to-earth person, but I wanted the videos to be striking, so I have to lay it on a little bit.
They've kind of backed off and allowed me to do what I do. I think that's the biggest testament is that they know when to have a hand in things, and they know when to back off, let me work, and let me do my thing. During my time in NXT, they have definitely done that.
I work on a TV show I love, I have the opportunity to do movies with actors I respect, and I'm in love with the man I want to spend the rest of my life with, who pushes me and excites me. There's this fighter in me that kind of needs to be put to rest a little bit. I don't need to be so tough to protect myself.
There's a happiness about me, a confidence and a happiness now that I didn't have when I was younger. You feel good inside, you look good outside. I have a few little gray hairs on my chin, and I kind of like them. I feel like I look like somebody who's having a good life, who's enjoying it a little better than I did before. You can be really good-looking in your twenties but feel miserable, and people just sort of walk away.
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