A Quote by Jordan Fisher

When I was 13, I moved to Los Angeles to pursue television and film roles. I booked shows like 'The Secret Life of the American Teenager,' 'Liv and Maddie,' and 'Teen Wolf.'
I was a very good tennis player in Ottawa, Canada - nationally ranked when I was, like, 13. Then I moved to Los Angeles when I was 15, and everyone in L.A. just killed me. I was pretty great in Canada. Not so much in Los Angeles.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
I fell in love with theater there, and after graduation I moved to Los Angeles to pursue acting.
I had come from Los Angeles - I had been there a partner of Gruen Associates, a large Los Angeles firm - and when the possibility of becoming a dean at Yale came, it was a very appropriate moment in my life. I was interested in a number of issues that I could not pursue while in a firm like Gruen's.
I was in Berkeley when the food energy in America was in Berkeley. Then it moved to Los Angeles, and I went to Los Angeles. It moved to New York, and I went there.
I was so successful in Cleveland, and we moved to Los Angeles, and there was nothing for me to do. All of a sudden, from being a success, I was a has-been at 13.
I moved from Chicago to New York in 1984 for 'Biloxi Blues.' In 1989, my wife and our then-baby daughter moved to Los Angeles to try to get in television.
The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.
When I started, I was a theater actress, and there were roles that I couldn't imagine not playing, like Rosalind in 'As You Like It.' I used to think I would die if I could play that. But then I started doing movies, and I had children, and I moved to Los Angeles. And now I kind of can't remember what those roles would be.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
I love London and Los Angeles equally. I was born and brought up London and then I went to Los Angeles as a teenager to stay with my sister Joan. So I feel I belong to both.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
My aim was never to be an American star; otherwise, I would have moved to Los Angeles.
I was in Los Angeles in 1968, and I was fortunate enough to be a writer on 'Laugh-In' and a couple of other television shows.
When I moved out to Los Angeles to get some film and television work, and couldn't get any... I became a little isolated, a little terrified, and it's a good place to get writing, because you're so bored. So I wrote a few screenplays, and people notice those.
This site uses cookies to ensure you get the best experience. More info...
Got it!