A Quote by Jordan Gavaris
Generally the things you get offered are never things you want to do. It's a continual fight for the good parts. As you climb the ladder and get to different benchmarks, enter new stratospheres, you're just competing against all the other people in that stratosphere.
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I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.
Let`s teach those people that when they go to work, they get skills, they meet people, they get opportunities, they get to climb the ladder, they get much better off than the person who`s just sitting at home receiving those things.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
I don't get any parts I don't get offered. There are lots of great things out there I would like to do that I don't get offered.
Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail and never get to try again. The fall breaks them. And some are given a chance to climb, but they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.
Directing is a big responsibility to take on. I think I'm only good at doing things I know very well. I don't direct movies because I get offered the new vampire movie or science fiction movie. I don't get offered those, anyway, but if I did, I would just tell 'em, "Look, I'm the wrong guy." I only do things about people and situations, and I do the ones that I think I'm the best guy for the job on, which is usually something I generate myself.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
I'm not ambitious when it comes to my acting career. I'm not breaking down my agency's doors or sending out headshots. Even when I'm offered work, I always want small parts. When it comes to things that other people have written, I just don't know what I'm doing. I'm terrible at memorizing a script and reading lines. I get confused and I don't understand and it just looks fake to me. It's more difficult for me to be creative that way.
I get to travel so much. I get to see so many different parts of the world. I get to meet new people every day. I experience new cultures, meet new fans from different countries. I get to perform for them, too.
In fiction, it's as if you enter a dream world that you created, but your characters have their own free will. They don't do what you want them to do - they get into trouble, do drugs, fight over petty things, and do outrageous things that you wouldn't want your children to do. In other words, you can only provide the background, the seeds - in my case the background of the Vietnamese refugee.
I ain't trying to fight until I'm 35. I'm trying to make my money and go on to something different - do bigger and better things with my life. Hell, I don't want to get punched in the head that damn much. I've got other things I want to do.
I'm in a place in my life where I get offered parts that I didn't get offered before - fathers and uncles and grandfathers and so on. And it took me a long time to get to that place, but I'm glad because it opens up new territory.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
So when a good idea comes, you know, part of my job is to move it around, just see what different people think, get people talking about it, argue with people about it, get ideas moving among that group of 100 people, get different people together to explore different aspects of it quietly, and, you know – just explore things.
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