A Quote by Jordan Henderson
You will get criticism throughout your career. All the best players have had it at some stage, and they haven't let it ruin their careers. I won't, either.
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We knew the European players that went to the NBA and had great careers, and we knew the ones that went and had terrible careers or finished early. We were prepared for a lot of criticism.
I think public criticism of players can go one of two ways: either the players will want to raise a proverbial middle finger at their manager and prove them wrong, or the squad will go within themselves and performances will deteriorate.
You have so many players all around the world in the NBA, a lot of different generations. If you don't take basketball as a tool in your life, you can get lost. I know a lot of teammates, a lot of players that had a great career and after that career, they just get lost.
I can ruin my own career, but I will not ruin anyone elses' career with my mouth.
Throughout your career people will try to distract you. Some will scream at you, others will say things behind your back, and a few feral animals will literally try to throw their stiletto heel in in your lane and trip you. Keep your eyes straight ahead and just run your race.
I think some people will die on the stage, and I'm not so sure I want to do that. Like, I want to have kids! I'm totally fine with saying that. I think some people are scared because they're worried it's going to ruin their career, but I want to live a full life.
It's hard because, throughout your whole career, you're known as the top player, the best on your team, you're playing the most minutes, and then you might not get in the game. You don't know when you're going to get in the game.
If I look at my career financially, I think it's one of the best careers any fighter's had.
I used to take 40 minutes to warm up before going on stage. If you want to spend time with your child as well as having a career, you have to get up there even if your head's a mess. It's made me more relaxed, and I'm having some of my best shows.
All of women's stories in the 19th century had either one of two endings: you either had the good Jane Austen marriage at the end and you were happy; or you had the terrible Henry James savage downfall because of your own hubris as a woman, or you've made some great error leading you down a path to ruin. One is the story of love that's successful and the other is the story usually of reckless love that goes terribly wrong that destroys the woman.
There is a reason that both have had the longevity in their careers that they have had. They have each done very different things throughout their careers and lived really interesting lives. There is a reason why they are up there still. After all, there is only one Barbra Streisand and one Liza Minnelli.
I've had the privilege of coaching the best basketball team in the history of the world, and that's the USA national team. I've had a chance to coach them for eight years. If you were to ask me if I could end my career only coaching one team for the rest of my coaching career, I don't think it could get better than that, especially with the players that I've had during those eight years. When you've coached at that level, you know, you've coached those players, it's pretty hard to say, I would rather coach anybody else.
Any street cop knows you will be sued or involved in some type of litigation throughout your career.
Whether you play or whether you're on the bench, or however it may be, at some point in your career you will be one of those three roles. You will either be a young, up-and-coming goalkeeper watching the experienced one, you'll either be on the bench or you'll be in goal yourself.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
I have minor characters who are Asian-American, and I've been using them throughout my career, but they've never taken center stage, they've never been really powerful, they've never expressed some of the experiences I had growing up in the U.S. Johnny Tam is the first one.
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