A Quote by Jordan Peele

I define 'social thriller' as thriller/horror movies where the ultimate villain is society. — © Jordan Peele
I define 'social thriller' as thriller/horror movies where the ultimate villain is society.
For me, the social thriller is the thriller in which the fears, the horrors, and the thrills are coming from society. They're coming from the way humans interact.
I like all of the mental, psychological thriller movies too. I enjoy horror movies across the board.
People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
I would love to do something in the thriller category. Not so much horror, but I would love to do a full-on psychological thriller. That would be really interesting. A period piece would also be fantastic.
I'm more of a thriller-horror fan - things that could really happen. I don't like scary movies, the 'Saw' movies scare the crap out of me - I think I've seen two of them and I wanted to go crawl in a hole.
Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.
My background is more horror or thriller, and you can't get better than horror fans, as far as I'm concerned.
Horror films can be of different kinds. But 'Aaviri' is not a horror film. It's a thriller against the backdrop of a family.
I love horror. It's funny, because 'The Invitation' never struck me as horror, but it's definitely that type of thriller.
When I was a teenager, I used to watch the 'Making Michael Jackson's 'Thriller'' video and try to follow the steps and do the 'Thriller' moves in my bedroom. That was the most incredible dance sequence.
Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
The scariest movie I have ever seen, and my favorite horror film is, 'The Exorcist.' It is a must-see horror/thriller classic. I watch it every couple of years.
Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-sa What I said: “Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-savvy bond analyst. Drew Chapman is a debut novelist to watch.
A thriller must be thrilling. A mystery may or may not be a thriller depending on how much breathless emotion it has, as opposed to cerebral calculation.
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