A Quote by Jordan Peele
When you start making a movie, people want to know: Who's the star power? And very early, I realized there's not a lot of 26-year-old black actors who have been given the opportunity to be the lead of a film. It's, like, Michael B. Jordan, and then we're done.
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There are some rappers out there that I listen to, that I'm like: "You are really good but you could be like the Michael Jordan of rap if you applied yourself." There's a lot of people who are better at basketball than Michael Jordan, but Michael Jordan just wanted to be Michael Jordan, more.
I had been cut from the basketball team every year. But I was like, 'I can turn it around! Michael Jordan made it!' You see it a lot of times - you'll have an athlete that you love, and then they'll be like, 'I also want to rap,' and you're like, 'Don't do that.' I was that kid.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
I remember being a teenager and watching 40-year-old Michael Jordan compete in his final All-Star game.
When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.
I'm the oldest 26-year-old I know. A lot of experience has been crammed into a short amount of time. Some days I feel a good 65, 70. Like I want to lie down.
My agent called me up and said, 'There is a tremendous female lead in the new 'Star Wars' film, and I think you're really going to like it.' The opportunity to play someone determined, who's trying to find her skills as a leader; to be in a fantasy movie; to be able to do a leading female role in a film of that scale - that's very, very rare.
Being named Michael Jordan - I think growing up playing sports and having a name like Michael Jordan - and I was extremely competitive - I used to get teased a lot. But it made me want to strive for greatness and be able to compete at whatever I decided to do.
I have a growing resume, but it's because I'm very selective. There are a lot of actors in my position that are like me: they have an opportunity to make a lot of money early in their career, and they do that, and after that, there's nothing to sustain that. There's no art or interest in your craft from the people that want to see you.
When people start comparing him with (Michael) Jordan then that's not a fair comparison. Jordan was a far more superior player in a very tough league, he was very creative. That's not taking away anything from LeBron because he is a great player, but it is not a fair comparison because Jordan is a far superior player.
Yeah as the director I consider myself to be the coach, and my actors are my players. So I have to show them how committed I am, but I also want to lead by example. I think whenever you make a film, you start out alone, and then slowly start - you have to be a magnet. You have to attract people to you, to the project.
Making movies has not only been an incredibly collaborative process but there's three big parts: pre-production, shooting itself and then post-production, which leads into marketing. And if you're passionate about the movie and you believe in it, and it would make sense that you are having done it, then you want to get out and promote it. It makes it a lot easier when the film is good and people are enjoying it.
I started writing when I was 26, so I don't even know what year that was. I wrote a script for me to star in. A friend of mine, who was an actor that I would compete against a lot, had written a script and was taking all these meetings. He just kept pushing me and was like, "You got to do it. You're going to love it!" He's a very successful screenwriter now. His name is Michael Bacall and he wrote 21 Jump Street, Project X, and Scott Pilgrim vs. the World. So it was a few factors.
You're in the middle of making a movie and this part of the process is always very interesting. Because you think what you're making your movie is and then you start putting it out there, and then people tell you what your movie is.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
At the Golden Globes, they put all the bigger stars in the front; the movie stars in the front, TV actors in the back. But even as a movie star, you can be outseated by a bigger star in any given year. It's kind of hilarious. You have to take it in stride.
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