A Quote by Jordan Peterson

Life is very difficult. One of the most ancient of religious ideas that emerges everywhere, I would say, is that life is essentially suffering. — © Jordan Peterson
Life is very difficult. One of the most ancient of religious ideas that emerges everywhere, I would say, is that life is essentially suffering.
I was raised with a single mom and we had a very specific, very particular relationship. She worked with me and my job. I was almost three and we traveled everywhere together and she was really in my life in a really profound way. The most significant relationship of my life. It was beautiful and also an incredible, difficult struggle. I know how creative that life is, and how difficult it is to figure it out.
I think that fiction and, as I say, history and biography are immensely important, not only for their own sake, because they provide a picture of life now and of life in the past, but also as vehicles for the expression of general philosophic ideas, religious ideas, social ideas.
I left the convent and that was because I wasn't a very good nun. I could see that I wasn't going to make it. It's very difficult to be a nun, or to live a religious life. It's very difficult to live a life of total celibacy or a life without any possessions or material responsibilities at all, or in total obedience to somebody else, and remain a mature whole human being, and I knew that I wasn't going to be one of those.
Story is the oldest, commonest, most beloved, and most effective form of communication because our life is essentially a story. That's why the Bible is the most realistic of religious books. We can easily ignore or argue away abstractions, but we bump up against concretely real people, things, and events in story, as in life.
The ideas behind the words are simple ones that work in everyday life; find what we most want to do; do it, no matter what; and in the doing be guaranteed a very difficult and a very happy lifetime.
Frankenstein feels like an ancient tale, the kind of traditional story that appears in many other forms. It appeals to something very primal, but it's also about profound things, the very nature of life and death and birth - about, essentially, a man who is resisting the most irresistible fact of all, that we will be shuffling off this mortal coil.
It's so difficult to actually come up with ideas that you really fall in love with, you know? That's the most difficult thing about filmmaking - and that's my main challenge in life.
[On the ancient Venus figurines:] If the central religious figure was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life - rather than death and the fear of death - were dominant in society as well as art.
A morbid propensity that causes great suffering in domestic life is often curiously infectious to the very person for whom it creates most suffering.
Later, she would remember these years, and realize with astonishment that she had, by fifteen, decided on most of the assumptions she would carry for the rest of her life: that people were essentially not evil, that perfection was death, that life was better than order and a little chaos good for the soul. Most important, this life was all. Unfortunately, she forgot these things, and had to remember them the hard way.
Life is everything. Life is God. Everything shifts and moves, and this movement is God. And while there is life, there is delight in the self-awareness of the divinity. To love life is to love God. The hardest and most blissful thing is to love this life in one's suffering, in the guiltlessness of suffering.
It's very difficult to live with religious ideas. I can't compare religion to the movies. I can fuse them.
My family still lives over there [ in South Africa] .I miss them terribly. I would say that most of my life over there was probably very similar to the sort of life someone would experience growing up somewhere like Australia or in the US.
I was recently realizing that I've probably spent 80 percent of my life in studios! It's very difficult to do that and still have a private life; it's very difficult to do anything else.
Life is suffering. Life is not resistance to suffering. The point of life is to suffer. This is why we're here: We're here to suffer. I believe in a higher power that compassionately allows suffering for us as a race, to grow and mature.
A real life, a life that leaves a deposit in the shape of something alive.... It's difficult to say what makes a life a real life.... You could also say it depends on a person being identical with himself.
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