A Quote by Jordan Peterson

I do believe that there are places where the mythological and the literal touch. — © Jordan Peterson
I do believe that there are places where the mythological and the literal touch.
Whenever you find a preacher who takes the Bible allegorically and figuratively...that preacher is preaching an allegorical gospel which is no gospel. I thank God for a literal Christ, for a literal salvation. There is literal sorrow, literal death, literal Hell, and, thank God, there is a literal Heaven.
I think that 'Station to Station' is a nomadic project not only in a literal sense, as it's traveling by train from place to place. Some of these places are New York City or Los Angeles, but some of these places are rather off-the-grid places.
I believe the Scriptures teach that there's a literal heaven and a literal hell, just like Jesus said. And without forgiveness of sins that, yeah, the place of punishment is called hell.
Mythological symbols touch and exhilarate centers of life beyond the reach of vocabularies of reason and coercion.
You deal with mythological stuff for a few years, you learn that paradises are usually places where you get killed.
Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
There are special places on our planet, places of power, healing and renewal, places where the mind-body connection is enhanced and that enable us to get back in touch with our deepest innermost feelings.
There's a literal track: who says what to whom, what are people wearing, etcetera. And there's the abstract track: what ideas are suggested by the literal. And the real movie takes place in the relationship between the literal and the abstract.
The Irish believed that gods, druids, poets, and others in touch with the magical world could be literal shape-shifters
The world I grew up in had both a literal and mythological quality. We were on the borders of several worlds - the larger black world bordered us on one side. More distantly, there was the larger white world. We interacted with some, but not others. If you think of it as an internal geography, it is a land, a contested space with these very charged historical, cultural, and emotional borders.
I believe that the Bible is the literal word of God. And I say no, it's not, Dad. Well, I believe that it is. Well, you know, some people believe they're Napoleon. That's fine. Beliefs are neat. Cherish them, but don't share them like they're the truth.
We don't tend to ask where a lake comes from. It lies before us, contained and complete, tantalizing in its depth but not its origin. A river is a different kind of mystery, a mystery of distance and becoming, a mystery of source. Touch its fluent body and you touch far places. You touch a story that must end somewhere but cannot stop telling itself, a story that is always just beginning.
I no longer believe that the Bible is the literal and infallible word of God. And I don't believe in God as a figure in the sky listening to your prayers, things like that.
Someone told me about drama schools, and they seemed like mythological places - you can really go and be in drama classes all day? I inadvertently entered into this world where people wore bicycle clips and did song-and-dance routines in the corridors.
No other sentiment draws people to Jerusalem than the desire to see and touch the places where Christ was physically present, and to be able to say from their very own experience: 'We have gone into his tabernacle, and have worshipped in the places where his feet have stood.'
I don't believe in right or left; I don't believe in Santa or Satan. I believe in things I can touch - like vodka and Oreos.
This site uses cookies to ensure you get the best experience. More info...
Got it!