A Quote by Jordan Pickford
It's the little things you remember. My mam, Sue, would take me to training in a taxi when I was a kid if Dad, who is a builder, had to work on a Saturday morning. You look back at the stuff like that and realise the sacrifices were all worth it.
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I remember my father used to wake up at 4 A.M. He woke me up as well. We would leave home together, he was going to work and I continued my walk to catch the bus. I had my training session with Sao Paulo in the morning. I had to take two buses to the point I could take the club bus.
I think for my parents it was like "A Boy Named Sue," the Johnny Cash song. A guy named Sue tries to track down his father to take it out on his father for naming him Sue. And his father says, "Look, I knew I wasn't going to be around. So I gave you the name so that you would grow up strong enough to take the hits and fight back." So I like to believe that's why my parents gave me this stupid name.
I don't think my dad really knew what to do with me, as a daughter. He treated me like a boy; my brother and I were treated the same. He didn't do kid stuff. There were no kid's menus; you weren't allowed to order off the kid's menu at dinner - we had to try something from the adult menu.
As I've gotten older, I can look at myself more clearly and own the things that I'm good at and work on the things that I'm not. Like, I am not skinny. I know that if I were to lose a little weight I'd literally have more time in the morning because I know clothes would fit better. And now I can look at those things more practically. Instead of being like, "What does that say about me?," now I'm just like, "That would be great to sleep in an extra fifteen minutes because I wasn't trying on everything in my closet."
Remember when you were a little kid and you'd fall asleep in the car? And someone would carry you out and put you into bed, so that when you woke up in the morning, you knew automatically you were home again? That's what I think it's like to die.
My mom was a big 'Smurfs' fan, so she would force me to watch every Saturday morning. I had no choice in the matter. I would jump downstairs on Saturday morning, 'Hurray, cartoons!' and she would say, 'Smurfs! That's what you're watching.'
My dad traveled so much for work that, when he was home, we always wanted to spend as much time with him as we could, so going to practices and doing stuff like that with him took precedence over Saturday morning cartoons. We'd go to practice with my dad just so we could be a part of it.
When I'm done skating, I guarantee you that I will not look back and remember standing on the podium. I'm going to remember these days - being with the team. Training alone, in my basement. Training when everybody else is sleeping. Doing things that nobody else is doing. Digging down. Seeing what kind of character I truly have. I love that stuff.
When I started doing my act, I wasn't married and didn't have kids. I was probably 29 years old. Some people say that's not a kid, but when you're 50, and you look back to when you were 30, you were a kid. You look back on your 30s and think, "I was an idiot!" But I would just do things then I thought were funny. I couldn't have cared less who thought anything about it.
People are used to seeing me with Sue but for Sue and me, the most important thing is always going to be our friendship. We were mates at university - very close mates - long before we did any telly. The work is like a nice little cherry on the cake.
My youngest son's pre-school class was recently asked what their dads do for work. The responses were things like, my dad sells money, and my dad figures stuff out. My son said, 'I've never seen my dad do work.' It's true. Skateboarding doesn't seem like real work, but I'm proud of what I do.
Both my mum and dad were great readers, and we would go every Saturday morning to the library, and my sister and I had a library card when we could pass off something as a signature, and all of us would come with an armful of books.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
As a kid, I wasn't allowed to have girl toys, but I would take my cousin's My Little Pony and smell it. That weird, synthetic, fruity-sweet smell - that's how I wanted to look. I wanted to look like this fabricated toy. I wanted to look like you could pull a string on my back, and I would say, like, six catchphrases.
It's terrible, I know, but I will admit I was a really lazy kid. It was Bronte who would wake me up in the morning, go to training early, and take in some tips from the older training group. I would be there grumbling and complaining. After she began to reap the rewards of her labour, it definitely kindled a fire.
I'm trolling through the recesses of my mind for the things I did with my kids when they used to like to do things with me. They don't want to be around me now. I look back on these times - all those little funny pottery dishes that you'd pay for, and they'd paint, and they were ugly, and you glazed them, and you'd go back, pick them up, and it's like, "Oh, now I've got to put this on my desk." There's all that kind of stuff.
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