A Quote by Jordan Rudess
Affectors Harmagedon is a solid blast of PROG metal complete with burning solos, odd time signatures, orchestral highlights, and Rock riffs that will tear your head off! Excited that I could be a part of this album!
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It's really an orchestral piece featuring a group and it was quite revolutionary at the time and it in fact, it kicked Deep Purple off as a name in Great Britain because it made all the newspapers. Everyone was writing about us. And there was some confusion as to what kind of band we were after that, which is why Deep Purple in Rock is such a hard unbending album of really furious hard heavy rock. Heavy metal hadn't been invented at that point.
We kinda were a radio-rock band. We were still pretty technical, but I think the prog people hated us because we didn't do a bunch of weird time signatures... which are cool at times, but I'm more interested in progressive harmony.
I am tremendously excited to introduce a unique 'Metal Gear Solid' experience to a new audience of gamers as well as collaborate with my mentor in game design, Mr. Miyamoto, on 'Metal Gear Solid: The Twin Snakes' for Nintendo GameCube.
I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.
I have always maintained that paradigm shift away from signing Rock and Metal acts is part of the decline in sales the major labels have talked about for years. I mean, to me, that should be so obvious. For decades, literally, as long as Rock N' Roll has existed, a large swath of major label income came from Rock, and later, Metal bands. So if you essentially stop signing the thing that brought in a significant portion of your income, how are you confused when you don't sell as much? It's like cutting off your nose to spite your face. I still don't get it.
It's perhaps easier to say what prog rock isn't than what it is: it's not three-minute pop songs, it's not straightforward rock, metal, blues or jazz, but can have elements of all them and more. It's a form that is on the boundaries of many different forms, that is open to all sorts of influences.
It's got big riffs and really it's a rock and roll album. I think Stone Temple Pilots and Velvet Revolver fans will relate to that
There's no doubt that prog rock has an image problem: many musicians hate the label, and too many people associate it with 10-minute drum solos and the weirder bits of JRR Tolkien.
There are certain things that you can blast through a stereo. You can blast hip-hop. You can blast heavy metal. You can't blast 'All Things Considered.'
My experience with playing in odd time signatures was progressive rock and learning King Crimson songs as a kid coming up and maybe learning Pink Floyd, 'Money,' that kind of thing.
I will be the answer, At the end of the line, I will be there for you, While you take the time, In the burning of uncertainty, I will be your solid ground, I will hold the balance, If you can't look down. If it takes my whole life, I won't break, I won't bend, It will all be worth it, Worth it in the end, Cause I can only tell you what I know, That I need you in my life, When the stars have all gone out, You'll still be burning so bright...
I had the idea to spend the year off in 2008 and start writing a rock album. I wanted to do something else other than melodic metal after more than ten years of After Forever. I thought it would be nice to sidestep into rock.
To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.
During our first year, we were playing Priest and Maiden cover tunes all the time while we figured out what we wanted to do as a band. At the time I was getting out of metal and into punk. That's how Slayer's sound came together - it's the speed of punk combined with the big riffs of metal.
Is punk rock really music, or is it really just an attitude? I get into that discussion with people all of the time. I personally consider be-bop jazz to be punk rock. And prog rock would definitely fall in that category too.
Here's what I'm going to have to say to all of you. If some of you have demons in your head who talk to you in profanity or whatever, don't let your demon shoot down your rock music, don't let your demon keep you off the joy bus. So like I say, Rock music pays off.
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