A Quote by Jordan Sonnenblick

Steven, I know I phrased that as a question, but it was really a command. Yes, but mine is…ummm…private. Private, Steven? Yes, Miss Palma. PRIVATE Steven? Again with the capital letters?
Steven Wright can do Steven Wright very well. Not everyone can do Steven Wright's jokes with the same results.
When I got on the set of 'Saving Private Ryan,' I discovered, to my amazement, that Steven Spielberg is a gamer.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.
I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.
The Underneath was my first film. Steven Soderbergh. I remember that I thought, "Wow, this is such a highlight. Am I ever going to get back to this?" Loved working with Steven and in Austin, Texas, one of the rockin'-est towns in America. I'll always remember it, because I was really grateful that someone finally hired me for a movie.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
When Steven Spielberg comes to you and says, 'Hey do you want to write a movie about robots?' You just say yes.
Steven Gerrard doesn't play because his name is Steven Gerrard. He plays because of what he brings in terms of performances. If that wasn't the case, he wouldn't play. He is as good as he was, and I have learned a lot from him.
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
I was 12 when I did 'Super 8,' and when Dakota was 12, she did 'War of the Worlds.' Steven Spielberg was involved with both movies, so we both worked with Steven when we were 12.
I have always seen myself as an athlete. Of course, I made the mistake of unintentionally opening the door to my private life by just a crack. I wouldn't do the same thing again. It has to be accepted that my private life is private, and if that isn't the case, I have to do something about it.
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them; they were all different, but they are all so talented.
Since the State necessarily lives by the compulsory confiscation of private capital, and since its expansion necessarily involves ever-greater incursions on private individuals and private enterprise, we must assert that the State is profoundly and inherently anticapitalist.
Since the State necessarily lives by the compulsory confiscation of private capital, and since its expansion necessarily involves ever-greater incursions on private individuals and private enterprise, we must assert that the state is profoundly and inherently anti-capitalist .
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