A Quote by Jordan Wolfson

The work really isn't about the specific content to me. As I'm putting things together, it's more about consistencies in form. — © Jordan Wolfson
The work really isn't about the specific content to me. As I'm putting things together, it's more about consistencies in form.
Now I'm in nonfiction. To me any given story has its appropriate form. There might be some story I get involved with that's begging to be a graphic novel, so that will have to be that way. There's always that matching of the content and the form, and that means everything to me. I spend years thinking about what that match is going to be before I can really make it work.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
To be honest, I didn't really understand how involved putting a fragrance together could be - or would be. Once I made the choice to actually do it, I just went for it. I just dove in and have really learned a lot about putting a scent together. It's kind of exciting.
There's the underlying feeling that writing must be easy, because it's all about putting letters together. That's only true in the same way that programming is all about putting numbers together.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
I love putting things together. I love putting together a team and making stuff with people. It's great, that's what's cool about movies it's such a collaborative effort.
Joseph Gotto, yeah. Just all-around one of the more inspiring artists - not because of any sort of specific content direction, but rather the respect that I had for his own work and the ability for him to translate his ideas into useful form for me as a student.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
There's a few times in the past when I wrote a song, and I put the words together, and they were very clear pictures, and I felt like I was putting together a really good story. But I don't think I was ever really able to stay on that. What I've sort of developed lyrically is more about the sound of the vocals and what they are.
Fashion is more than just how many colors and patterns you can put on at once. Being a great dresser is not necessarily about the colors you put on. It's about putting things together in the right way and then trying different things.
It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.
If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.
I have to admit, at first, it was really overwhelming and I would get stressed about putting things together. Now, it's like trying to figure out a puzzle piece, and I love that...There are so many things that I don't even know and would love to discover more about. I was so upset I had to leave [Europe] before Paris Fashion Week, but then I was like..."Oh wait, my album is coming out."
I think we should be worried about the fact that we have become, as a society, very focused on the way people look, the way they dress. I do think we should worry about that because we should be worried about content. We should be worried about ideas. We should not be putting form over function.
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