A Quote by Jordana Brewster
I had to take driving lessons in New York, which were really weird because it's not the safest thing in the world.
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I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
If you were back in the Cretaceous Period - the last of the time of the dinosaurs - and you were driving from New York to Philadelphia on the New Jersey Turnpike, you would be driving across water.
I've never owned a really bad car, but when I did my driving lessons I had something pretty bad. It was a Skoda, from back before Skodas were actually good, because I know they've got better recently but this was a proper old one. Roy's School of Motoring, it was called, and it was this cream Skoda with a long bonnet. He did 20 lessons for a really cheap fee because nobody wanted to be seen in this cream Skoda around Enfield!
[New York] gives you room to be weird; you can be yourself and you can wear whatever you want. No one is really going to judge you because everyone is doing their own thing.
I wanted to be an actor ever since I was five. My grandparents - my mom's parents in New York - were stage actors. I think indirectly I wanted to do it because of them. My grandfather would tell me stories about Tennessee Williams and actors he worked with in New York. He had such a respect for acting and such a love for storytelling about that world. I grew up hearing him tell tales of it.They were never encouraging me or discouraging me to take part. They were always feeding me with theater.
If I were to be really petulant, I would say New York is the one doing the betraying. Because the New York I fell in love with doesn't really exist anymore.
What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.
New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
I had a really negative look at the night-life side of Hollywood, which I really didn't like. I went to New York to focus on modeling, and then of course found that New York was not any different from Los Angeles.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
For me, the only drag about the whole thing is that a lot of my childhood friends had to be relocated to the outskirts of New York because of the gentrification. But I think it's always a good thing when you bring people of all different backgrounds together, that's sort of what New York is.
I always had this romantic notion of living in New York. I just felt like, everyone could be different and weird and whatever they are in New York.
Sometimes I get gigs in weird, artsy places because weird, artsy people embraced my public-access show, which I could only have done in the way I did in New York.
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