A Quote by Jordin Sparks
If you like the person, you have to REALLY like the person. You wanna like who they are first, with how they interact with other people, how they are with their family, how they are with their friends, cause that's how they gonna treat you.
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A record like 'Price of Fame' - when you do get this success, how do you treat it, or how do you let it treat you? How does it affect your family and friends and the people around you? ... And I don't mind telling people what I've been through when it comes to the pressure I put on myself of wanting to be the best and the greatest.
I come from a minimum wage working world, as we all did for at least some part of our lives, and that is never out of my rearview. I've never forgotten how much your feet hurt after you've stood on them for like 12 hours. And how the drudgery of a job you hate craps on your entire life; how you treat other people, how you treat yourself, and it really was getting to me.
It depends on who's bowling, how is the wicket playing, how I gonna score and stuff like that or how people are trying to get me out, probably that determines how open I am or otherwise how closed I am.
I love being the person my kids depend on to learn. Everything they learn, for the most part, comes from you - how they treat people, how they look at the world, how they process things. I love being that example for them, just like my parents were for me.
Family relationships are just so fascinating - how they shape you as a person, how you can wound each other, how you're imprinted in a way by your family and the conditions under which you grow up.
At AT&T, I learned an awful lot about people, and how important it is to have the right people in the right jobs. And when I say 'right people,' I'm not talking about their college degree or work history; I'm talking about things like bearing - How does this person interact with other people? Can he or she talk to you and not tick you off?
It doesn't really matter what a person decides to do, or how radically a person plays with gender. What matters, I think, is how aware a person is of the options. How sad for a person to be missing out on some expression of identity, just for not knowing there are options
We can worship Christ in our sanctuaries and we can pray to God on our knees, but how we treat - or neglect - the person next door, the poor, every human being, this is how we truly speak to Christ and this is how we really treat Jesus.
In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
Some like to start from the inside and then go to the outside. I'm the other type of actor. First, I have to know how my character looks, how he walks, how he drives, how he eats.
Hollywood is like high school, there are always going to be people who hate you and people who like you. When you're a teen, [that's tough] because you're hyper-aware of what other people are gonna say and think. But neither defines who you are as a person or how successful you are unless you let them.
I think that's a challenge as believers - how do you demonstrate the gospel? How do you do that? I mean it's easy to talk about it and say 'Oh this is what we are supposed to be doing' and this is the relevance. But how do you do that with your hands instead of your mouth? How do you do it every day, instead of just onstage, how is it enacted? And I feel like that is one of the ways that we can show what we believe, by how we treat people around the world.
I think of how people can betray me simply by not caring enough to hide the fact of how little they care.I think of how the person who needs the other person the least in a relationship is the stronger member.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
A lot of people are really quick to say, "That song sounds like this." Or you - "He's tryin' to sound like this." And I'm always like, "You're damn right I am. That's how - that's why we're all here." You know, we all grew up idolizing another musician. That's how this works. That's how music is created.
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