A Quote by Jordin Sparks

Hollywood large is so different than real-life large. — © Jordin Sparks
Hollywood large is so different than real-life large.
In real life, I'm a large character, and I need the space and platform to be large.
Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.
Venti is twenty. Large is large. In fact, tall is large and grande is Spanish for large. Venti is the only one that doesn't mean large. It's also the only one that's Italian. Congratulations, you're stupid in three languages.
Do not be afraid of large patterns, if properly designed they are more restful to the eye than small ones: on the whole, a pattern where the structure is large and the details much broken up is the most useful...very small rooms, as well as very large ones, look better ornamented with large patterns.
Large profits are even more insidious than large losses in terms of emotional destabilization. I think it's important not to be emotionally attached to large profits. I've certainly made some of my worst investments after long periods of winning.
There's no shortage of attention junkies with large breasts in Hollywood but only Michael Moore's are real.
I take space to be the central fact to man born in America. I spell it large because it comes large here. Large and without mercy.
History reveals no civilized people among whom there was not a highly educated class and large aggregations of wealth. Large profits mean large payrolls.
The best hopes of any community rest upon that class of its gifted young men who are not encumbered with large possessions.... I now speak of extensive scholarship and ripe culture in science and art.... It is not large possessions, it is large expectations, or rather large hopes, that stimulate the ambition of the young.
Photos tend to organize chaos, to define what we're doing here. It is essential that individuals' voices depict the world around us, as we are increasingly controlled by large institutions, large companies and large systems.
It's difficult for me to have a large story, a very large story - a novel is a large story. I'm used to writing and doing these little miniature paintings.
Although whenever you have intelligent life in the presence of large explosions, a safe bet is that the intelligent life is responsible for the large explosion.
What we're going to see is the emergence of the lone wolf rather than the planning of large numbers of people to carry out large attacks...Explosives are getting more sophisticated.
I was looking in the mirror today and my waist is still 28 inches. I think it's all because I have a large bosom and a large ass. I have a large ass and it always just looks like I'm bigger than the rest of the girls. I could lose 20 pounds and I'm still going to have these knockers and I'm going to have this ass, and that's just the way it is.
The very large units of production and exchange have access to credit on a large scale, sometimes without any cover at all, merely upon the prospect of their success, and always upon terms far easier than are open to their smaller rivals. It is perhaps on this line of easier credit that large capital today does most harm to small capital, drives it out and ruins it.
By and large, the answer to the question "How do large institutions survive?" is "They don't!" The vast majority of large modern-day institutions - some of them extremely vital to the functioning of our complex civilization - simply fail to exist in the first place.
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