A Quote by Jorge Hernandez
'The chef on duty will constantly point out the time, name the next project, and finish with 'push!' The entire team then calls it back. It is a simple one, but it gives me goosebumps every time.
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A lot of actresses feel the pressure to constantly look good, to constantly show how well-toned every inch of their bodies are and how much they've been to the gym, not necessarily to do justice to the role they're in, but to point out to the producers out there, 'Hey, look what I've got - remember me for your next project.'
My last name is Taylor. So in school, every time we got a project, I'm at the end. So I get to see the whole class do their project. Then, when it comes time to do mine, of course I'd pass, and the teacher wouldn't have too many questions.
We have to be mentally prepared for every team we play. If we play a team who has a big name on their chests, then we are going to come out ready. But if we play a team who doesn't have a big name or a star player, we have a hard time coming out ready.
I see Nick's number. I debate whether to assign a name to his number. If I commit to that, then I will truly be heartbroken if he never calls me again; my heart will knot each and every time I use this phone and see his name in there. I would probably end up having to trash the phone entirely.
The majority of the time, I'm just in my team training clothes or work-out gear, but whenever I'm killing time, I always like to watch 'Project Runway' or 'America's Next Top Model.'
Every time my cameras go out on a movie, we learn something new and then we take what we learn and we put it into the next generation of the cameras so we're constantly improving. It's kind of like building a race car, racing it, then running back to the shop and working on the engine some more and tinkering with it to improve it.
You must stop editing--or you'll never finish anything. Begin with a time-management decision that indicates when the editing is to be finished: the deadline from which you construct your revisionary agenda. Ask yourself, 'How much editing time is this project worth?' Then allow yourself that time. If it's a 1,000-word newspaper article, it's worth editing for an hour or two. Allow yourself no more. Do all the editing you want, but decide that the article will go out at the end of the allotted time, in the form it then possesses.
That's what being a footballer is, really: you train at this time, you finish at that time, then you do that, then you go home, then you're not allowed out, then you do this... there comes a point in your career - about thirty, thirty-one - when you get a bit sick of being screamed at.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
She sat back on her heels and nodded. The thought experiment she proposed was certainly odd, but her point was simple. Everything in the universe was constantly changing, and nothing stays the same, and we must understand how quickly time flows by if we are to wake up and truly live our lives. That’s what it means to be a time being, old Jiko told me, and then she snapped her crooked fingers again. And just like that, you die.
I now look at the things I could have done better and instead of beating myself up about it, since I can't turn back time, I try to remember to ask myself, "what was this experience sent to me to teach me?" I think specifically about what I will do better next time, then I actively look for moments to practice for the next time.
Every time I pull on a jersey, I know people are going to notice the name on the back, no matter was name's on the front. It is something which will always follow me.
One of the most fun parts about my job is that when the music gets recorded live at the end of the project and real musicians play it, I still get goosebumps every single time.
I'm kind of the boss. I could fire myself if I ever got out of line, and I can hire myself too which is a good thing. It gives me a responsibility to the financial realities of the picture. I'm an extremely conscientious producer and now equally as a director and it now gives me the opportunity to look at the entire movie and allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view. It gives me freedom and it gives me a certain degree of responsibility at the same time.
The phone will always ring. If I leave it even for a moment and go some where, by the time I come back there will be at least 50 missed calls. I will then get confused as to who to call and who not to, so it's simpler to live with out a cellphone.
Most of the time I'm by myself finding the next thing. Being an A&R guy, basically. I don't know how long I can do this for. I'm constantly fascinated by actors who are so confident with their career that they do a project and then go on vacation.
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