A Quote by Jorge Luis Borges

The fact is that poetry is not the books in the library . . . Poetry is the encounter of the reader with the book, the discovery of the book. — © Jorge Luis Borges
The fact is that poetry is not the books in the library . . . Poetry is the encounter of the reader with the book, the discovery of the book.
Ranganathan's 5 Laws: Books are for use. Books are for all. Every book its reader, or every reader his book. Save the time of the reader. A library is a growing organism.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
He is no true reader who has not experienced the reproachful fascination of the great shelves of unread books, of the libraries at night of which Borges is the fabulist. He is no reader who has not heard, in his inward ear, the call of the hundreds of thousands, of the millions of volumes which stand in the stacks of the British Library asking to be read. For there is in each book a gamble against oblivion, a wager against silence, which can be won only when the book is opened again (but in contrast to man, the book can wait centuries for the hazard of resurrection.)
Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
If i write a book it will probably be a book about how not to use the internet or a book of poetry.
A book is one of the most patient of all man's inventions. Centuries mean nothing to a well-made book. It awaits its destined reader, come when he may, with eager hand and seeing eye. Then occurs one of the great examples of union, that of a man with a book, pleasurable, sometimes fruitful, potentially world-changing, simple; and in a library...witho ut cost to the reader.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I have been writing poetry since 1975. My first poetry book was published in 1986.
I spent many hours ensconced in the local library, reading - nay, devouring - book after book after book. Books were my soul's delight.
The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry is a kind of circuit that takes place between a poet, a poem and a reader and that meaning doesn't exist or in here in poems alone.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
Sometimes, looking at the many books I have at home, I feel I shall die before I come to the end of them, yet I cannot resist the temptation of buying new books. Whenever I walk into a bookstore and find a book on one of my hobbies — for example, Old English or Old Norse poetry — I say to myself, “What a pity I can’t buy that book, for I already have a copy at home.
The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry, is a kind of circuit that takes place between a poet, a poem and a reader, and that meaning doesn't exist or inhere in poems alone.
I've done a number of readings at poetry lounges in Vancouver and Los Angeles. I've compiled a book of poetry that's completed, and two others I'm working on.
I was so inspired by Dr. King that in 1956 with my brothers and sisters and first cousins, I was only 16 years old, we went down to the public library trying to check out some books and we were told by the librarian that the library was for whites only and not for colors! It was a public library! I never went back to that public library until July 5th, 1998, by this time I'm in the Congress, for a book signing of my book "Walking with the Wind"
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