A Quote by Jorge Luis Borges
What a writer wants to do is not what he does.
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The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul and that I am sure is why he does it.
I kind of watch a guy like Aleister Black go around, and he does whatever he wants. He Black Masses whoever he wants. He beats up security guards; he threatens general managers. Tommaso Ciampa does whatever he wants.
A man who wants the truth becomes a scientist; a man who wants to give free play to his subjectivity may become a writer; but what should a man do who wants something in between?
There are books that a writer undertakes because she wants to go on a journey, and there are journeys a writer undertakes because she wants to write a book.
If he loves, he wants to make a relationship out of it immediately! He wants to get married. He wants to create a certain conditioning. He wants to make it a contract. Or he enters a church, or he enters a political party, or he enters into any club and he wants to be structured, he wants to know where he stands in the hierarchy, in what relationship. He wants to have an identity - that 'I am this.' He does not want to remain uncertain. And life is uncertain. Only death is certain.
A writer is a performer as well. A writer isn't the literary department. That gets tried on but nothing's a script unless a good writer goes away and does his thing alone.
The only difference between a writer and someone who wants to be a writer is discipline.
A writer wants something more than money for his work: he wants permanence.
As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics.
Becoming a writer can kind of spoil your reading because you kind of read on tracks. You're reading as someone who wants to enjoy the book but also, as a writer, noticing the techniques that the writer uses and especially the ones that make you want to turn the page to see what happened.
One wants to move through life with elegance and grace, blossoming infrequently but with exquisite taste, and perfect timing, like a rare bloom, a zebra orchid... One wants... But one so seldom gets what one wants, does one?
The writer wants to be understood much more than he wants to be respected or praised or even loved. And that perhaps, is what makes him different from others.
The writer wants to be understood much more than he wants to be respected or praised or even loved. And that, perhaps, is what makes him different from others.
The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
The truly great writer does not want to write: he wants the world to be a place in which he can live the life of the imagination. The first quivering word he puts to paper is the word of the wounded angel: pain.
What does the public want? It wants a vested interest in its own energy provision - driving more efficient behaviour. It wants greater choice and responsibility at a local level. And it wants increased use of renewables to protect the environment.
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