A Quote by Jorge Luis Borges
I think that the reader should enrich what he is reading. He should misunderstand the text; he should change it into something else.
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I don't think writers should be convenient examples. I don't think we should make people feel settled. I don't try to be a gadfly, but I do think that real ideas are troublesome. There should be something about my work that leaves the reader unsettled. I intend that.
I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
People will say you should quit running if you're a slow runner. Or you should quit basketball if you can't dribble with your left hand. I don't agree with that. If you're not a very good reader at 14, nobody thinks you should stop reading.
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
Any fifth language that you use should be equally used as just another bit of theater language, so that if you have a strong text, then the light should be as strongly part of that text as, for example, the sound it should be or whatever it is that you see.
It could be that going to work is better than being home. But you should never think of days as the weekend. It should all be the same, it should all be stuff you want to do. And when it isn't then you have to change it, and you have to think about how you change it.
Every high school and college graduate in America should, I think, have some familiarity with statistics, economics and a foreign language such as Spanish. Religion may not be as indispensable, but the humanities should be a part of our repertory. They may not enrich our wallets, but they do enrich our lives. They civilize us. They provide context.
Any good broadcast, not just an Olympic broadcast, should have texture to it. It should have information, should have some history, should have something that's offbeat, quirky, humorous, and where called for it, should have journalism, and judiciously it should also have commentary. That's my ideal.
I think a young poet, or an old poet, for that matter, should try to produce something that pleases himself personally, not only when he's written it but a couple of weeks later. Then he should see if it pleases anyone else, by sending it to the kind of magazine he likes reading.
I think our civilization is minimal enough without underlining it. Sculpture as a created object in space should enrich, not reflect, and should be beautiful. Beauty is its function.
Those who do not think religious organizations should have an opinion on climate change misunderstand the former and the moral dimension of the latter.
People say to you, 'you've changed', or something like that, well, I hope, for the sake of God, that you have changed, because I don't want to be the same person all my life. I want to be growing, I want to be expanding. I want to be changing. Because animate things change, inanimate things don&'t change. Dead things don't change. And the heart should be alive, it should be changing, it should be moving, it should be growing, its knowledge should be expanding.
People who are pierced should not be snickered at, should not become the object of ridicule, should not be singled out for special and uneven and unequal treatment. They should be respected just like everybody else.
So we start with an oversignifying reader. Those texts that appear to reward this reader for this additional investment - text that we find exceptionally suggestive, apposite, or musical - are usually adjudged to be 'poetic'. ... The work of the poet is to contribute a text that will firstly invite such a reading; and secondly reward such a reading.
I think that identity and sort of the brand - I hate that word - the brand of the musician should be malleable. It should change, and it should grow.
We try to push such crazy ideals onto young women: the Hollywood version of what they should look like, what they should do, and the kind of Prince Charming they should be looking for. We should just be proud of who we are, because we can't be anybody else. So what's the point of trying?
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