A Quote by Jorge Luis Borges
Then he reflected that reality does not usually coincide with our anticipation of it; with a logic of his own he inferred that to forsee a circumstantial detail is to prevent its happening. Trusting in this weak magic, he invented, so that they would not happen, the most gruesome details.
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The government's appearing to be a necessary evil does not oblige people to trust it. We face a choice of trusting government or trusting freedom-trusting overlords who have lied and abused their power or trusting individuals to make the most of their own lives.
When you see an object, it seems that you see it as an entire thing first, and only afterwards do its details follow on. But for people with autism, the details jump straight out at us first of all, and then only gradually, detail by detail, does the whole image float up into focus.
Jazz spent a chunk of the day fantasizing about ways to kill his grandmother, plotting them and planning them in the most excruciating, gruesome detail his imagination would allow. It turned out his imagination allowed quite a bit. He spent the rest of the day convincing himself--over and over--not to do it.
Successful improvisation is mostly a matter of taking your thoughts out of the equation, because thinking can keep the magic from happening. You have to be open enough to let the magic happen, instead of trying to make it happen because magic is never made.
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Our unconscious, then, does not believe in its own death; it behaves as if it were immortal. It knows nothing that is negative; in it contradictories coincide. This may be the secret of heroism.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
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Why, for example, do the great writers use anticipation instead of surprise? Because surprise is merely an instrument of the unusual, whereas anticipation of a consequence enlarges our understanding of what is happening.
We invented marriage. Couples invented marriage. We also invented divorce,mind you. And we invented infidelity,too, as well as romantic misery. In fact we invented the whole sloppy mess of love and intimacy and aversion and euphoria and failure. But most importantly of all, most subversively of all, most stubbornly of all, we invented privacy.
Children's stories force logic upon the gruesome facts of our lives. They mirror our troubles and submit them to a chain of causality.
For each detail I include, I throw dozens away. So I guess the first trick is to pick the right details, the most revealing details. Then I think one must simply write quick, clean, bright prose. For me, this means rewriting and rewriting: almost never adding, almost always cutting.
Does the open wound in another's breast soften the pain of the gaping wound in our own? Or does the blood which is welling from another man's side staunch that which is pouring from our own? Does the general anguish of our fellow creatures lessen our own private and particular anguish? No, no, each suffers on his own account, each struggles with his own grief, each sheds his own tears.
The very foundation of our science is only an inference; far the whole of it rests an the unprovable assumption that, all through the inferred lapse of time which the inferred performance of inferred geological processes involves, they have been going on in a manner consistent with the laws of nature as we know them now.
Our worst misfortunes never happen, and most miseries lie in anticipation.
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