A Quote by Jorge Luis Borges

Yo, que me figuraba el Paraíso / Bajo la especie de una biblioteca. I have always imagined Paradise as a kind of library. — © Jorge Luis Borges
Yo, que me figuraba el Paraíso / Bajo la especie de una biblioteca. I have always imagined Paradise as a kind of library.
Variación / Variations El remanso de aire bajo la rama del eco. El remanso del agua bajo fronda de luceros. El remanso de tu boca bajo espesura de besos. * The still waters of the air under the bough of the echo. The still waters of the water under a frond of stars. The still waters of your mouth under a thicket of kisses. Translated from the Spanish by Lysander Kemp
I have always imagined that Paradise will be a kind of library.
Cultivo una rosa blanca, En julio como en enero, Para el amigo sincero Que me da su mano franca. Y para el cruel que me arranca El corazon con que vivo, Cardo ni oruga cultivo Cultivo una rosa blanca. I have a white rose to tend In July as in January; I give it to the true friend Who offers his frank hand to me. And to the cruel one whose blows Break the heart by which I live, Thistle nor thorn do I give: For him, too, I have a white rose.
There are very few distinctions between el bueno and el malo en la prisión militar. Instead of the good and the bad, there is the boring and la repetición - the repetitive. The routine is as endless as it is numbing.
I've been on television saying, "¡Vamos a la biblioteca!". That was great. Nobody had ever asked me.
El mundo habrá acabado de joderse -dijo entonces- el día en que los hombres viajen en primera clase y la literatura en el vagón de carga.
Utiliza el nombre correcto para las cosas. El miedo a un nombre aumenta el miedo a la cosa que se nombra.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
La fortuna juega a favor de una mente preparada
The 'Dangerous' album has producers like Tiny, who to me is very special. Also, Luny Tunes, Nesty La Mente Maestra, Nelly La Arma Secreta, Haze, and El Ingeniero. I wanted to use everyone who makes music in Puerto Rico and beyond to have variety.
Vividly imagined, beautifully written, at times almost unbearably suspenseful-the stories in Kristiana Kahakauwila's debut collection, This Is Paradise, are boldly inventive in their exploration of the tenuous nature of human relations. These are poignant stories of 'paradise'-Hawai'i-with all that 'paradise' entails of the transience of sensuous beauty.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be okay. It really helped me as a child, and that never left me. So I have a special place for every library, in my heart of hearts.
I've always been a little off, but it's worked really well for me, and it still works. After so many years, you have a look, you become a brand, la la la.
Santa Barbara is a paradise; Disneyland is a paradise; the U.S. is a paradise. Paradise is just paradise. Mournful, monotonous, and superficial though it may be, it is paradise. There is no other.
I had always thought of Paradise / In form and image as a library.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be OK. It really helped me as a child, and that never left me.
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