A Quote by Jorge Luis Borges
We did meet forty years ago. At that time we were both influenced by Whitman and I said, jokingly in part, 'I don't think anything can be done in Spanish, do you?' Neruda agreed, but we decided it was too late for us to write our verse in English. We'd have to make the best of a second-rate literature.
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We were doing the same thing. We will never have "a" Chicano English or Spanish because of regional differences. But I think that because of our bilingual history, we'll always be speaking a special kind of English and Spanish. What we do have to do is fight for the right to use those two languages in the way that it serves us. Nuevo-mexicanos have done it very well for hundreds of years, inventing words where they don't have them. I think the future of our language is where we claim our bilingualism for its utility.
I built the windmill 30 years ago in Tefen, and I think it was the right thing to build at that time, and I don't think that we did much with the solar or with windmills. Not much was done. I think we were too busy.
One of my favorite poets, Neruda, writes close to the bone. Though I know only a little Spanish, I like to compare the Spanish and English lines and see how the translator worked.
Graphic novels are not traditional literature, but that does not mean they are second-rate. Images are a way of writing. When you have the talent to be able to write and to draw, it seems a shame to choose one. I think it's better to do both.
Some years ago a top Ford official was showing the late Walter Reuther through the very automates plant in Cleveland, Ohio and he said to him jokingly, "Walter, you'll have a hard time collecting union dues from these machines." and Walter said, "you are going to have more trouble trying to sell automobiles to them." Both of them let it stop there. There was a logical answer to that ... the owners of the machines could buy automobiles and if you increase the number of owners you increase the number of consumers.
Years ago, while being in an airport in Australia, I happened to meet with David Helfgott. I knew that he was a bit fond of me and I was personally a fan of him. We were so happy to meet and hug and we had a very warm conversation together. Since that time.... about 20 years ago, I have not meet him again. I think that he is a very good pianist !
You know, artists are influenced by other artists. We're all deeply influenced by what's around us; we don't make anything cold. Sometimes we think that we do. But within that, the most important part is that even though we're influenced, what are the levels of invention that we carry forth even as we've been influenced by something that's come before?
I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.
I think that any sort of hindsight, especially in this wrestling industry, is a waste of time, and time is extremely valuable. I don't control that. People ask me to do something, and it is our job, as entertainers, to do the best that we can to accomplish that goal. What I get upset about in this business is that so many people talk about the "what if," instead of the "what is." The "what is" is more important. If someone were to go back 15 years and say, "You should have done this," it's too late. I was told to do "X," and I was trying to do "X" the best way that I could.
We live, understandably enough, with the sense of urgency; our clock, like Baudelaire's, has had the hands removed and bears the legend, "It is later than you think." But with us it is always a little too late for mind, yet never too late for honest stupidity; always a little too late for understanding, never too late for righteous, bewildered wrath; always too late for thought, never too late for naïve moralizing. We seem to like to condemn our finest but not our worst qualities by pitting them against the exigency of time.
Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
Nearly forty years ago, a distinguished Prime Minister of this country ... said, 'They may not be angels but they are at least our friends.'* I must say that I do not think that we probably demonstrated in that forty years that we are angels yet, but I hope we have demonstrated that we are at least friends.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.
It's too late. It was too late by the time I arrived in London to turn your notebook into a dove; there were too many people already involved. Anything either of us does has an effect on everyone here, on every patron who walks through those gates. Hundreds if not thousands of people. All flies in a spiderweb that was spun when I was six years old and now I can barely move for fear of losing someone else.
Corin Nemec, who was on television for years, has been through a similar thing. We both had TV shows, we've had to hit that audition trail, and we were both frustrated. We were both going through divorces, and we decided to write about this stuff. And make it funny.
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