A Quote by Jorge Luis Borges
I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature. The baroque is the final stage in all art, when art flaunts and squanders its resources.
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What I like about baroque is the reemergence of pre-Christian religion. The art of baroque mixes ancient pre-Christian myths with Christian imagery and each reflects upon the other.
It's art that pushes against psychological and social expectations, that tries to transform decay into something generative, that is replicative in a baroque way, that isn't about progress, and wants to - as Walt Whitman put it - 'contain multitudes.'
Religion is in every aspect of art, when it's not baroque.
When I think about the reference to baroque, I'm most interested in how art was integrated into domestic life. That's why I like fresco, because fresco is part of the wall. It's art, but it's decoration at the same time.
For my own singing, I used to be attracted by the baroque, the flashier the better, but now I prefer a simpler, purer style.
If you take a Baroque commode and put a Baroque clock on top of it, maybe it is not so interesting as when you put a computer on top of it. Then you see both items in a new way.
A baroque art-rock bubblegum broadcast on a frequency understood only by female teenagers and bred field mice.
It's funny, because in deference to conventional wisdom, I spent my struggling writer years trying to suppress my naturally baroque literary voice and write clean, spare prose. I finally gave up and embraced my baroque tendencies when I wrote the Kushiel series.
I'm involved with a baroque opera company here in Italy. I write some of their booklet material, comments on operas. I also write for some baroque opera festivals because this music is my real passion.
I thought for a long time that within art, that you would come up with an idea, you would labor over it intensely until you felt like it was done, and then when you finished it, that was the final stage. I started to realize that that's not actually the completion of it. The final stage of any kind of art is to really lose control over it and let it affect other people. You can't control the effect that it has on people, but you hope that it has some sort of reaction. You just hope that they're not indifferent to it, you wanna make people feel something, whether it's love or hate.
In the final analysis, style is art. And art is nothing more or less than various modes of stylized, dehumanized representation.
My wife and I battle over home decor. My style goes from Gothic to Baroque. Hers is minimalist.
All the great works of art, the cathedrals - the Gothic cathedrals and the splendid Baroque churches - are a luminous sign of God, and thus are truly a manifestation, an epiphany of God.
You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.
I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
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