A Quote by Jorge Luis Borges

I have no way of knowing whether the events that I am about to narrate are effects or causes. — © Jorge Luis Borges
I have no way of knowing whether the events that I am about to narrate are effects or causes.
When I am working on a painting, everything that I am thinking about at the time - be it current events, the books I am reading, personal events, influences, emotions, etc. - all find their way into my work.
No matter how liberal I am, I'm still outraged by crimes of violence. Regardless of whether I can sympathize with the causes that lead these individuals to do these crimes, the effects are outrageous.
It is thus that the generality of mankind, whose lot is ignorance, attributes to the Divinity, not only the unusual effects which strike them, but moreover the most simple events, of which the causes are the most simple to understand by whomever is able to study them. In a word, man has always respected unknown causes, surprising effects that his ignorance kept him from unraveling. It was on this debris of nature that man raised the imaginary colossus of the Divinity.
I don't like work like that. I am the silent partner. I work through events, I live on the sidelines, I dabble in causes and effects, I watch how the misbegotten creatures of this world live their lives.
If there's one thing that can save the novel, it is to make it independent of cinema, to narrate in a way that cinema can never narrate, using to its benefit those particular characteristics which belong to writing.
I find the science behind major natural events almost more interesting than the way in which those same events wreak their effects on human society.
Man is made for science; he reasons from effects to causes, and from causes to effects; but he does not always reason without error. In reasoning, therefore, from appearances which are particular, care must be taken how we generalize; we should be cautious not to attribute to nature, laws which may perhaps be only of our own invention.
I think that it drives from an emotional connection with everybody that pulls you through all of those events, whether it's the events or what would be more the action, or I guess the visual effects side of it. So it always starts with me from - emotionally - 'Why do you care about the people who are going through what they're going through?' Because it takes a hell of a lot to put them through that. So you better care for them when they're doing it.
What a sublime idea of the infinite might of the great Architect, the Cause of all causes, the Father of all fathers, the Ens Entium! For if we would compare the Infinite, it would surely require a greater Infinite to cause the causes of effects than to produce the effects themselves.
By what criterion... can we distinguish among the numberless effects, that are also causes, and among the causes that may, for aught we can know, be also effects, - how can we distinguish which are the means and which are the ends?
For the record: Quantum mechanics does not deny the existence of objective reality. Nor does it imply that mere thoughts can change external events. Effects still require causes, so if you want to change the universe, you need to act on it.
I have come to doubt whether the FDA rules should apply to cannabis. There is no question about its safety. It is one of humanity's oldest medicines, used for thousands of years by millions of people with very little evidence of significant toxic effects. More is known about its adverse effects than about those of most prescription drugs.
The causes of events are ever more interesting than the events themselves.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
I don't think my work is so much about opening up wounds. I think it's about understanding the nature of the wound. I'm not bleeding on the canvas. I, like most people, have suffered traumatic events. The character of a person's life is determined by the way they deal with those events. I am a creative person and I deal with it creatively.
I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers, and possible beliefs, and different degrees of uncertainty about different things, but I am not absolutely sure of anything. There are many things I don't know anything about, such as whether it means anything to ask "Why are we here?" I might think about it a little bit, and if I can't figure it out then I go on to something else. But I don't have to know an answer. I don't feel frightened by not knowing things, by being lost in the mysterious universe without having any purpose - which is the way it really is, as far as I can tell.
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