A Quote by Jorge Luis Borges

It may be that universal history is the history of the different intonations given a handful of metaphors. — © Jorge Luis Borges
It may be that universal history is the history of the different intonations given a handful of metaphors.
Certainly, the history of my life and the works of art which have especially enriched it is precisely that: the depiction or incantation of a handful of metaphors whose spendour rests upon their intonation.
Universal history, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.
History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning ofthings, which natural history might with reason assume to do; but consider the Universal History, and then tell us,--when did burdock and plantain sprout first?
When I was young I believed that "nonfiction" meant "true." But you read a history written in, say, 1920 and a history of the same events written in 1995 and they're very different. There may not be one Truth - there may be several truths - but saying that is not to say that reality doesn't exist.
Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.
Universal vaccination may well be the greatest success story in medical history.
I was actually asked to do the Christmas design for the White House. I thought it would be interesting, given that it has such a rich history, to decorate around some real beautiful oversized images of the history of the White House and the history of the country.
Prophecy and history predict and record a great and universal apostasy which was to be followed by a restoration as predicted by John in Revelation. The fact of the great apostasy is attested by both sacred and secular writ, and history bears witness that it became universal. We proclaim this fact of history not as an attack on any church. We do not assume any position of "holier than thou" or "wiser than thou," but we announce this historic fact of the apostasy as a vindication of the claim that there has been in fact a restoration of the gospel.
Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.
It is said that the history of peoples who have a history is the history of class struggle. It might be said with at least as much truthfulness, that the history of peoples without history is a history of their struggle against the state.
I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.
History may be servitude. History may be freedom. See, now they vanish. The faces and places, with the self which, as it could, loved them, to become renewed, transfigured, in another pattern.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
James Joyce is right about history being a nightmare-- but it may be that nightmare from which no one can awaken. People are trapped in history and history in trapped in them.
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