A Quote by Jorge Luis Borges

The Falklands thing was a fight between two bald men over a comb. — © Jorge Luis Borges
The Falklands thing was a fight between two bald men over a comb.
The battle between two men over a girl is the same as the fight for two men over a piece of land. It is all about desire. There is no difference between a love triangle and the conflict between Israel and Palestine.
Given a choice between two bald political candidates, the American people will vote for the less bald of the two.
The shots had dispersed the birds; there remained only two marabous, standing between ten and twenty paces away and plunged in reverie. They were like two old men with bald heads pressed between the shoulders.
Experience is like a comb that life gives you when you are bald.
I was a young actor who was bald, but at that time, there was a thing on television that - there was a prototype or a stereotype of a principal who was bald and mean with glasses, or there was... the angry boss who was bald.
To fight is a radical instinct; if men have nothing else to fight over they will fight over words, fancies, or women, or they will fight because they dislike each other's looks, or because they have met walking in opposite directions.
The method preferred by most balding men for making themselves look silly is called the comb over.
When two men fight over a woman it's the fight they want, not the woman.
The great thing about rock n' roll is, if you want to fight - like, fight the system, fight the man, fight the government, fight the people in front of you - it's Don Quixote all over again. You're really chasing windmills.
A girl asked me if she could comb my hair. Nobody can comb my hair, I can’t even comb my hair.
We had to fight the enemy without in the Falklands. We always have to be aware of the enemy within, which is much more difficult to fight and more dangerous to liberty.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
I've always wanted to be bald. I mean it, completely bald. Wouldn't it be great to be bald in the rain?
Be careful of men who are bald and rich; the arrogance of "rich" usually cancels out the nice of "bald".
It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
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