A Quote by Jorge M. Perez
We've been trying to open the gates of communication between Havana and Miami through art, which is apolitical most of the time: It doesn't have anything to do with politics and is only an exchange of ideas.
Related Quotes
What is called for is an exquisite balance between two conflicting needs: the most skeptical scrutiny of all hypotheses that are served up to us and at the same time a great openness to new ideas. If you are only skeptical, then no new ideas make it through to you. On the other hand, if you are open to the point of gullibility and have not an ounce of skeptical sense in you, then you cannot distinguish useful ideas from the worthless ones.
Always have clear lines of communication and be open to trying new ideas. Being open to new ideas is crucial to growing as an artist. If you always have the same creative habits, how will you ever excel to the next level? The answer is, you won't. Taking those creative risks reaps the most incredible rewards.
True contact between beings is established only by mute presence, by apparent non-communication, by that mysterious and wordless exchange which resembles inward prayer.
If it's correct to say that there is a closing of minds around the world, story is one of the most powerful agents of reviving the conversation between ideas. Ultimately, that's all stories are trying to do - open the conversation. They cannot give a proscription. It's not clairvoyant art.
The U.S. Embassy in Havana may be reopened, but outside its gates, an open society with more freedom for its people is still absent.
If they opened things up and I could build a luxury condominium in Vedado, I would sell them in two hours here in Miami. Cubans in Miami would be the first to buy. In Miami, 80 percent of the people we sell to are foreigners. Havana is a city very similar to Miami... There's good music, good theater, good ballet.
Communication is the channel through which life is conveyed, through which ideas and the energy behind them are transmitted, and through which the mind, body, and spirit are merged into a force for right action.
The basic problem is not political, it is apolitical and human. One of the most important things to do is to keep cutting deliberately through political lines and barriers and emphasizing the fact that these are largely fabrications and that there is another dimension, a genuine reality, totally opposed to the fictions of politics: the human dimension which politics pretend to arrogate entirely to themselves. This is the necessary first step along the long way toward the perhaps impossible task of purifying, humanizing and somehow illuminating politics themselves.
Civilization grew in the beginning from the minute that we had communication - particularly communication by sea that enabled people to get inspiration and ideas from each other and to exchange basic raw materials.
In order to improve the condition of mankind all men must be given the certainty of security through the exchange of safeguards, the assurance of prosperity through an exchange of resources, the reality of freedom through the free movement of information, persons and ideas.
The differences between revolution in art and revolution in politics are enormous. Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.
Brexit has changed everything in British politics - it has blown open a cosy, zombie-like closed world of Westminster parliamentary politics. It has broken open the traditional line between left and right, which was already an exhausted tradition.
My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics. The intention to separate art from politics is itself a very political intention.
I feel that in-person contact with people is the most important thing in comedy. While I'm up on stage, I can actually put myself into the audience and adjust my pace and tuning to them. I can get into their heads through their ears and through their eyes. Only through this total communication can I really achieve what I'm trying to do.
The question if this is a work of art or not is not very interesting for us. Probably it is situated in between the established categories. Anyway the audience which is interested in art would be the most open-minded and willing to think about it.
When I open them, most of the books have the smell of an earlier time leaking out between the pages - a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.
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