A Quote by Jorge Masvidal

My job is to hit somebody until the referee pulls me off. — © Jorge Masvidal
My job is to hit somebody until the referee pulls me off.
I punish the guy until the referee pulls me off or until he says 'no more,' and he taps. I don't want to leave any doubt in his mind that he had a chance.
I knew I wanted to be an actor. I just kept saying, "Until somebody tells me to stop, until I have to go get a real job, and until I'm practically homeless, I'm not gonna get one."
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
If I'm caught off guard or I'm not in a great mood, or if I'm feeling down or if I'm in my head and somebody comes up to me and I can't match the energy, I just have to think, 'Well, I did my job, which was to do the show or release the album or be in the TV show or write the joke. Beyond that, it's kind of a hit or miss what happens between us.'
We knew that the referee [in primary debates] is on the side of the Democrats because the referee, whoever the referee is, is a Democrat first and a so-called journalist second. I mean, we know that Lester Holt did not challenge Hillary [Clinton].
As an actor, I feel like I'm somebody who, when somebody gives me a mark, I don't want to hit it. I don't like that. But then, without even knowing it, I just hit it.
It's the referee's job. It's not for me to have to say I should ease up.
The first stop on this crazy train is Kindergarten Junction, and nobody gets off until it pulls into Harvard Station.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
I get told off by my mum for being a bit rough on the pitch. I'm in the referee's ear a lot - referees probably hate me - but it's just part of my game. My mum tells me off for that as well; speaking to refs too much.
So this Zealot comes to my door, all glazed eyes and clean reproductive organs, asking me if I ever think about God. So I tell him I killed God. I tracked God down like a rabid dog, hacked off his legs with a hedge trimmer, raped him with a corncob, and boiled off his corpse in an acid bath. So he pulls an alternating-current taser on me and tells me that only the Official Serbian Church of Tesla can save my polyphase intrinsic electric field, known to non-engineers as "the soul." So I hit him. What would you do?
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
Golf is fun - until you hit somebody in the head.
I used to be in a street fight at least twice a week, so locking me in a cage with somebody, with a set of rules and a referee to jump in if something get ugly, and a time limit, like, it don't scare me.
No doubt about it, in my career Ron Lyle hit me the hardest. One time he hit me so hard I didn't see it until I saw it on film when I woke up!
I came in the door, I said it before I never let the mic magnetize me no more. But it's biting me, fighting me, inviting me to rhyme, I can't hold it back...I'm looking for the line. Taking off my coat, clearing my throat, My rhyme will be kicking until I hit my last note.
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