A Quote by Jorge Masvidal

I don't go around making conversation, I just kind of stick to myself. — © Jorge Masvidal
I don't go around making conversation, I just kind of stick to myself.
I go to a meeting every day. I surround myself with people who don't use. I recently got back from Ozzfest and I caught myself in kind of a sticky situation where I was around a lot of people using, drinking and it was kind of - I didn't have the urge to use once, but I just knew I shouldn't have been there.
I always imagined myself somehow as an electron around some atom, and you're just, like, bouncing around and spinning. There was a never-ending supply of places to go, people to see, things to do, and fitting it all in became kind of an art.
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
There's a certain kind of conversation you have from time to time at parties in New York about a new book. The word "banal" sometimes rears its by-now banal head; you say "underedited," I say "derivative." The conversation goes around and around various literary criticisms, and by the time it moves on one thing is clear: No one read the book; we just read the reviews.
I don't ever want to stick myself in one category. I do really love making movies, but the thing about live performances is you don't have to wait around. Literally, we're still waiting to see what the reaction is to the film, so it's a slower process. But it is enjoyable.
The bad ideas kind of just drop out of the mix. You forget about them. The good ones stick around.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
You can see desperation in people who are too eager to laugh because they're in such a hurry not to look at what's confronting them in their lives and that's kind of sad because there's a kind of pornographic aspect to it, of making some sort of pain go away, of hovering around a pain, making yourself numb, not feel anything.
I grew up in a family where the women were just nuts. They didn't stand around in cardigans making polite conversation while they chopped tomatoes.
You have to make mistakes to get better. I used to make a mistake, and I kind of get down on myself. And now I make a mistake, and I go, 'Okay, did you learn from this? Did you stick to the facts, and did you stick with the logic? Did you have the analytics?'
I tell people a lot of times, if you want to be a part of something, you never know, you kind of just have to be around. A lot of people don't really have the patience for it, and they don't stick around. Dre and I are still working together, and we have plenty of music for the future.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I want to go out and do things... not just stick around having room service for two days.
My approach is a bit unconventional because it kind of turns things around. I made a promise to myself at a very early stage that I wasn't going to try and force something into a specific shape. It's a process where I allow the songs to go where they want to go and it doesn't really fit into any kind of genre.
I'd call myself the mediator. I kind of just float around and do my own thing. I'm kind of chilled out, laid back.
We use a Native American tradition of the talking stick. You sit and pass it around and whoever has the stick has to talk. Some people just hold it. Others really share.
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