A Quote by Jorginho

Before I receive the ball I already know how that play is developing so I'm able to give rhythm to that play. — © Jorginho
Before I receive the ball I already know how that play is developing so I'm able to give rhythm to that play.
Basketball for me has always been a matter of rhythm - what you do bouncing the ball, how you bounce the ball, how you run, how you receive the ball to be in rhythm.
If I know where I want to play before I receive the ball, it's easier. It's more fluid.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
I always try to find the solution before I receive the ball. Afterwards, I have to control it and to pass it. But when you know before where you want to play then all the things went faster.
I'm always looking to know what I'm going to do before I receive the ball in order to make my team play better.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
Being from New York, everybody's a point guard. Even when you play in the park, you've got to know how to handle the ball. If you can't handle the ball, you can't really play.
What happens is people go, 'I want to play the guitar,' and the first thing they do is hit Google: 'How can I play this?' and the next thing you know, you've learned all these tricks, but you've never learned how to play rhythm guitar with a groove.
My hopes and aspirations haven't changed since I started in this business. They've been to be able to play drama, to be able to play comedy, to be able to play leading men, and to be able to play character roles. I have no other aspirations in this regard.
I think I was called 'the pianist' because of the way I play. It's true that I don't score many goals, just a few, but they are beautiful when I do score! I think it's more about my style of play, how I touch the ball, how I pass the ball, how I move it.
Now you've been in the playoffs once, you know what it tastes like, you know what it feels like. You know, going through the season when Coach is preaching physicality, how hard you gotta play, how you gotta take care of the ball, why he's saying that. Because all that comes into play in playoff basketball.
In America everyone plays bang ball, eight ball, nine ball, that kind of stupid crap, but in Canada and Europe they play snooker which is a much more skillful game and I enjoy that. I play pool now with friends, if we go to a bar we will play, but I am nowhere near as good as I once was.
If you go out and practice super hard and then you go play in the game, it's going to be a lot more natural for you. You'll be able to catch the ball and think fast and start making plays, making people miss and turning it into the next phase of the play rather than just catching the ball and being surprised and happy that you caught the ball.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
The way Ederson plays is so brave. To dare to play like that is bravery and it also enables City to play with a much higher press. They are able to really press because they know any ball in behind he will sweep up.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
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