A Quote by Jorja Fox
I try to balance work and play. I'm really grateful that I can kind of have that philosophy, so I can try to get out of the city as much as possible, even though I love the city and I'm not ready to leave it.
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I don't really get involved in it, the whole thing. I understand how important this city is and what I mean to this city and what our team means to the city... but I don't get caught up into it. I just go out and play my game. I try to lead the best way I can, and if I can put my team and this franchise in a position to win the title, I'm grateful for that.
I try and sweat every day even though I can't always get to the gym. I do a lot of running, which is a great way to see a city, and I try to bike to work.
You wrestle one night, get up the next morning and fly out to the next city. You try to work out, you try to get some food into you and, lo and behold, you have to go work again. You are living out of a suitcase.
It took a very long time to really enjoy an audition, and to get in the room and do the best that I can. I've just been deeply grateful for my career, and that the love for the work and the characters is alive still. I try to let go of the armor as much as possible and not be afraid.
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.
You just try and do as much variation and as much difference and as much as possible, so you put yourself out there to try anything, really. As long as you feel you're going to get something out of the experience, it's all worth it.
It is a game of chess with this city. We'll have to see how it is going to play out. The city goes back and forth trying to figure out what programs to cut and what they have funding for. What I would love to see is for the city to step up and run the rink 10 months out of the year so kids can play in the summer and we can have camps here in Glenwood.
Here at work, obviously, I make the most money of anyone on the show, so I try to be the first one here and the last one to leave. I have the crummiest office. I try to balance things out, spread it around.
When people are dying, they call their old enemies and try to forgive them and try to be forgiven by them. They call their old friends and affirm their love for them, as well as detach themselves from them, and they try to get into as free a space as they can so they're really ready to go. They give away all their possessions and are as generous as possible. They give up old hatreds and grudges, and that's a wise intuitive thing, because it's much freer to live like that.
As a lover of New York, I hope New York remains as successful as a city, even though the very groups on whom the city depends - like artists - are not finding it easy to stay here. That's what it's been about, really, since the 1980s. You can kind of see that coming in the 1980s even though the rents were ridiculously low compared to what the rents are now.
I love my city and I feel like the majority of the people that are in the city are people from other cities. So I think that L.A. sometimes might get a bad rap because it's known to be so Hollywood-oriented and then underneath that you have crime. But that's really the case in pretty much any major city that you go to.
I want to defend and put my title on the line as much as possible. If the top in the division are ready to try to come and take my belt - and the key word is 'try' - I'm ready to give them that opportunity.
It's pleasanter to work in the country, where you can wander out among the trees. But I don't get as much work done. In the city you don't want to leave the room because there's all that chaos going on.
Also Ho Chi Minh City is broken up into districts so it's much like little cities within the city, in your home district folks take the time to smile and wave as you pass by or even try to have a little chat.
I was so grateful to work on 'Bunheads.' We had so much material, and everything was so rapid-fire, and I developed - through theater too, I developed a really great work ethic. I think preparing for both of them is just that - you come to set ready to go, ready to play. You know your lines. You're ready to work.
It's a tradition that a writer will try to plant his flag in a certain city and protect that. The way to get your rep is to find the essence of the city and get it down on paper.
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