A Quote by Jorja Smith
Sometimes I feel people try to be too complex. Some of the greatest songs are so simple. The simplest phrases.
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Some people don't like my songs because they think they're too simple or easy or not that thought-out. I feel like the way I write is pretty simple, in some ways, because I'm trying to connect. I want a lot of people to hear it, and be moved in some way.
If this seems complex, the reason is because Tao is both simple and complex. It is complex when we try to understand it, and simple when we allow ourselves to experience it.
As a preacher I just feel like I have to be honest; I couldn't live with myself if I wasn't. I think that's why I've been able to reach some people who don't feel comfortable in churches. I do make mistakes and I can be goofy and quirky sometimes. I'm not the world's greatest speaker. I don't try to hide that.
With great artists like Elvis, sometimes the songs weren't the greatest thing about him. When I tried to perform some of the songs, I noticed some of the tunes weren't all that brilliant, but it was the performance that sold them.
All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.
To have nice interactions with people is a better than to make anyone uncomfortable, than to try to fill up some kind of lull. Like anybody else, there's times when maybe I don't feel like talking with other people. You don't have to be in show business to not feel like making small talk sometimes. But we kind of are all in this together. It makes things easier - it just makes life easier, if we're all nice to each other. I'm sure that sounds terribly corny, but honestly, it's one of those simple things that it's so simple, it's true, and it's so true that it's simple.
I always just try to write the best songs that I can at any given time, and sometimes those songs are for me, and sometimes they're for other people. And that's to be evaluated after the fact.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
I try not to say exactly what songs are about sometimes, because I feel like it ruins it for people.
The problem is that we attempt to solve the simplest questions cleverly, thereby rendering them unusually complex. One should seekthe simple solution.
Everybody feels up sometimes, they feel down sometimes, sometimes they feel sideways, sometimes they feel weird. And the beauty of music is you can express all those different feelings in all the different songs you write. And hopefully, people can identify with those.
The greatest truths are the simplest things in the world, simple as your own existence.
We just sang real simple songs in a simple way that got to people. We didn't try to tart them up with orchestral arrangements and all the stuff. We were all blues fanatics. We like R+B and blues and simple, gut-feeling music.
Music is an emotion and it makes you feel a certain way. Some songs make you want to dance, while some make you think. Some songs are positive, while some people see those songs as negative.
If I feel like I'm going too far in one direction, I just can it. It's a weird thing. Some of my songs might be cheesy; I try and keep it light. It's hard to explain.
Paul Simon once said that a songwriter's supreme challenge was being complex and simple at the same time-writing songs with lasting depth that are also simple enough to be memorable. Jimmy Van Heusen was a master at this kind of song. His music was complex, with deeply rich chord changes any jazzman can embrace, but also possessed catchy, crystalline melodies of exceeding sing-ability. His songs were meant to be sung, not just listened to, and they were sung by the best, with Frank Sinatra and Bing Crosby at the top of that list.
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