A Quote by Jorja Smith

I'm not gonna just disappear after one album. — © Jorja Smith
I'm not gonna just disappear after one album.
Me and Stormzy. We're gonna do an album. We're gonna do an album of Nelson Riddle arrangements in grime form. It's gonna be called 'Griddle'.
I'm gonna put out another album and then another album after that. And then I'm gonna put out a mixtape, and then I'm gonna put out another ten songs, and then I'm gonna put out a hundred more songs and a thousand songs after that.
I don't want anyone to expect anything from me. I just want them to know that I'm gonna put 1,037% into whatever I do. If I tell you I'm gonna release a folk/reggae/country album, just know at bare minimum there's gonna be 1,010% put into it.
If you goin' to work, you gonna put my album on. If you happen to be makin' an hour-and-a-half drive, you gonna put my album on, because people spend more time in their car then they do in clubs.
I love doing third albums. A group makes its first album, and then the record company rushes them into the studio to make their second album. After that, they go, 'Whoa, wait a second.' They get a little more confident. They step back and say, 'Okay, now we're gonna do it.'
You could say, 'Oh, we're gonna write the heaviest album of all time' or 'We're gonna write an album that sounds like 'Iowa.'' Even if we set out to try to do so, it would never compare. We're not those people anymore, we're not that band anymore.
The first album I was given when I was quite young was the 'Whoa, Nelly!' album by Nelly Furtado. After, I also got the 'Missundaztood' album by Pink. That's when I was like, 'Oh my God, I want to be just like them!'
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
Ramones or AC/DC are two bands that have managed to keep their signature sound and their signature formula for years and years and album after album after album, without it seeming like a dead-end street.
I just put out a hardcore double album. Next I'm gonna put out an introspective album.
Before saying, 'This track is so dope; it's gonna go on the album,' I like to take some time away from it and see how I feel about it in a few months. If it's gonna get released, I gotta love it - it's gonna have my name on it forever.
I can't wait until the record label feels like it's time for my album to come out, and then just disappear.
I basically camped out for a year and a half in an Airstream trailer on the beach out in front of the studio. I had no idea what I was gonna do, what kind of album I was gonna make - all I knew was that I wanted to sit there and just take in whatever came.
I feel like, when we're kids, you're sold into this fairy tale of what love is. That Prince Charming's gonna come along and save you and you're gonna live happily ever after. They're gonna rescue me from the Bronx, and we're gonna go off and live in a castle somewhere and it's gonna be awesome. He's gonna love me forever, and I'm gonna love him forever, and it's gonna be real easy. And it's so different than that.
I'm not gonna ever announce that I'm going to do an album again. Waking up with that on your head almost doesn't allow you to make the best album you can.
Mormons aren't gonna buy my album but, you know, what are you gonna do?
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