A Quote by Jorja Smith

I hate re-recording. I like singing, but I don't like recording a song over and over, making it too perfect. — © Jorja Smith
I hate re-recording. I like singing, but I don't like recording a song over and over, making it too perfect.
Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
The idea of letting a recording be a moment in time appealed to me. With digital recording, it's easy to create a perfect text of whatever song you have.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
If I'm recording a song, and it's kind of fuzzed out, but I've got this super candy melody, I feel nothing but freedom that I can just sing over the top, and it will be appreciated. It won't be like, 'What is he doing?'
When I first started recording music, I was actually singing about microphones, equipment, recording.
I think when you sign a recording deal, you think, 'I'm going to put out a song and have a hit right away. I'll be a giant superstar. I can take over the world now.' But I put out a song, and it did OK. It wasn't like leaps and bounds.
I sequence during the entire recording process. The sequencing changes as I'm recording and as I'm listening. From when I'm, like, four songs in, I start trying to figure out which song should come after which. Which is important, and it changes as the album goes.
I was tired of my lady, we'd been together too long, like a worn-out recording of a favorite song.
On our first record, man, I didn't know what I was doing. I was just playing. I was over playing. You're as green as you can be with no experience in recording or knowing how sometimes a song can work: when it's too much, when it's not enough, when it's not right.
Recording interviews is like magic. a) It stops you from taking notes in the middle and b) you can play that recording for people.
I met the Colonel when Elvis was recording some song I'd written for one of his movies. Elvis was just having fun with the gang and all the Memphis boys and Colonel Parker was sitting over here in like a theater seat.
I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.
As a musician or composer, whenever I am recording a song I imagine myself sitting beside my piano and singing the song with a little fear that whether I will be able to perform or not.
I don't like tracking and over dubbing and all that. I love live recording where everybody is playing. I, I'm convinced it's better.
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