A Quote by Jorja Smith

I was a bit late on Erykah Badu, but I don't think you can really be late on music. You discover it whenever; music is timeless. — © Jorja Smith
I was a bit late on Erykah Badu, but I don't think you can really be late on music. You discover it whenever; music is timeless.
I love the music of Lauryn Hill and Erykah Badu and more recently the music of Laura Marling. All these women share a strength and a wisdom in their voices and music that really makes me want to make music and sing.
Basically, coming up, listening to Cash Money and Master P, and my mother would listen to Sade and Erykah Badu, things like that. I didn't like that music back then, but now, I guess, to look for soothing music or tones, you know, I would look to that, and I would love to do something with Sade or Erykah Badu.
I really think only Erykah Badu can be Erykah Badu.
Erykah Badu - she's timeless, that's my second mom.
I started with soul music and icons like Aretha Franklin and Etta James and then moved to R&B and artists such as Erykah Badu and Lauryn Hill. Electronic music came later on, when I was in high school and I was really influenced by artists like Skrillex and Major Lazer.
I used to be offended when people would compare me to Erykah Badu. Because I'm black, thick, and have large lips? There's nothing similar about us whatsoever, and I felt very disrespected by the fact that people needed to pigeonhole me. I wasn't even raised on Erykah Badu!
I think the women - Lauryn Hill, Mary J. Blige, Erykah Badu - are doing new conceptual things and using their voices to create new American music.
Erykah Badu projects don't even sound like Erykah Badu projects. I don't even have one album that sounds like another one of my albums.
I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started working with a voice coach that I really dove into jazz music.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
Then I met people at school who were into Erykah Badu and Snoop Dogg. I like heaps of different music, but that was a real pivotal time in terms of finding my way.
I love Erykah Badu. Every time I listen to her music, I'm, like, laying out all the instruments in the song, like, how I would loop it.
There are things I'm never late for. I'm not late for the theater; I'm not late for the movies; I'm not late if my single girlfriend is at a bar somewhere. But if I'm on vacation in Mexico with a bunch of cackling hens, then I'm going to be late for dinner - count on it.
I'm definitely nostalgic about the music of my youth; The Clash and Fishbone and that whole music scene. I still have all that music to this day. There was some great music going on in the late 70s and 80s.
It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
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