A Quote by Jorja Smith

I like live-sounding things. — © Jorja Smith
I like live-sounding things.

Quote Topics

If you take the duality of things - like sunny-sounding music with weird lyrics on it - it makes this dichotomy. I've never had that because when I make music, I make major chords, happy-sounding stuff, and my lyrics are positive.
Sometimes things get too layered and compressed or there's too many effects and they turn into mush on record. I strive to keep it raw and live-sounding, like you are in the room watching the band play.
If you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.
At the risk of sounding like Virginia Woolf, I could live on £700 a year.
It doesn't matter if you record with a microphone on a laptop or at a friend's house. Now it's more of a danger of things sounding too high-fi than sounding too low-fi.
Some people rehearse to a point where they're robotic, and they sound like they have memorized their presentation and didn't take it to the next level. Going from sounding memorized and canned to sounding natural is a lot of work.
Go to bed, Cammie,” my aunt ordered, sounding exactly like my mother. “No,” I said, sounding exactly like my aunt.
A Trumpist is a devoted supporter and understands what he or she is doing. A Trumper is just different sounding, better sounding, I think. I've even had some Trumpists tell me they don't like the term. They think it's derogatory.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
Some things don't wind up sounding like you'd expect, which is just as well.
If something I do now sounds like something I did in the past, it's because I played it. I can't help sounding like myself. That's going to happen. The things that I play on guitar that resonate with me are probably the same things that resonated with me when I started playing in Joy Division.
The more producers I talked to, the more I got looked at like I was crazy for wanting to make a live-sounding album.
There's a progressive arc in the sound of 'Black Sands' creation. The title track was the first piece in place. Then the other live-sounding tracks like 'Animals' and 'El Toro.'
I thought if Oasis could get away with sounding like The Beatles, I could get away with sounding like Abba.
Usually I like to have them, but going drum-less pushes everything in a new direction and makes it easier to keep things sounding different.
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