A Quote by Jorja Smith
When I'm writing, I like to have a tiny bit of fact and then exaggerate it and turn it into something more people could relate to.
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I always think that, even when people behave badly, if you like something deep inside them, then there is a tiny bit of nobility - they wish they could be good.
He wasn't a complete human being at all. He was a tiny bit of one, unnaturally developed; something in a bottle, an organ kept alive in a laboratory. I thought he was a sort of primitive savage, but he was something absolutely modern and up-to-date that only this ghastly age could produce. A tiny bit of a man pretending to be whole.
I think that if you are a serious writer, you are almost obligated to provide the intelligent average reader with something that they can relate to and care about. If you are writing only for a tiny elite, then that surely should sound alarm bells.
I'm not really a person who loves things that are surreal or not grounded in real life or reality. I like that - I want to find something that I can relate to and then maybe do a little bit more and embellish.
I fell into makeup by accident, but I found my love for it, and once I realized that I could actually turn it into a huge business, that's when I started taking it a little bit more seriously, but it's always something that I knew could be something.
It's my job to find the cornel of truth and then exaggerate, exaggerate, exaggerate until it's of an appropriate scale.
It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
I'm a bit of an abstract figure that people can project their fantasies on; it's pretty much what we all are, otherwise we wouldn't be stars, and people wouldn't be interested. But people project things on you that have nothing to do with what you really are, or they see a little something and then exaggerate it. And you can't really control that.
The world is... often terrifying, disgusting and tragic, but it is also beautiful. I should like to know how exactly each person would make it a tiny bit less disgusting and a tiny bit more beautiful.
I tend to basically exaggerate in life, and in writing, it's fine to exaggerate. I really enjoy overstating for the purpose of getting a laugh. For another thing, writing is easier than digging ditches. Well, actually, that's an exaggeration. It isn't.
Comedians could do mindless things - and by mindless, I mean the easy jokes and things that you already agree with - but I find it more interesting, more of a reward, for people to feel something. I like to make a human connection, and that involves speaking emotionally, a bit more intellectually, or with a bit more moral complexity.
I never expected to earn money out of writing. In fact, the idea of getting published was too bourgeois. Then, in England, I realised that writing a book was something you could do without it being laughable.
I think I'm a tiny bit like Harry 'cos I'd like to have an owl. Yeah, that's the tiny bit, actually.
Death is a sniper. It strikes people you love, people you like, people you know - it's everywhere. You could be next. But then you turn out not to be. But then again, you could be.
I'm not totally blind to the fact that I like people to see my work, but if it's not something I would enjoy seeing in a magazine, then I think I shouldn't be making it. I think that I don't represent only myself, I represent more people; I mean, if I like it, then I think more people will like it because I think I'm quite a normal guy.
There's something to writing a hook and something to writing a memorable melody. That's what I liked about musicals. Then I realized I could write my own songs, and I didn't have to sing other people's.
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